18/03/2022 NFTs becoming popular as artists struggle to generate revenue

Swedish streaming giant Spotify looks to add blockchain and NFTs to its services, much to the excitement of artists whose earnings could receive a significant boost.

Recent job postings reveal that Spotify is headhunting individuals to work on Web 3.0, an umbrella term for a decentralized form of the internet underpinned by blockchain technology.

One posting indicates an exploratory foray into Web 3.0, with the potential engineering hire joining an “experimental growth” collective, responsible for “driving growth through…Web 3.0”. Another listing is for a manager to join its “Innovation and Market Intelligence” group, where Spotify is hunting for an individual experienced in “content, creator, media, web3, and emerging technology industries” to properly articulate the scope of ambitious projects.

Spotify joins the list of big technology companies venturing into Web3 and NFTs, following Meta CEO Mark Zuckerberg’s announcement earlier this week that Instagram would soon be adding NFT features into its platform.

Earlier this month, the old peer-to-peer (P2P) file-sharing platform Limewire announced it would be returning as a NFT marketplace, aiming to become “a more mature platform” following in its rival BitTorrent’s footsteps after its acquisition by TRON founder Justin Sun in 2018.

The total volume of NFTs traded has shown signs of slowing down in 2022, prompting crypto industry pundits to peg music as the next lucrative vehicle for NFTs via the sales of digital albums or the granting of special perks at live events.

Blockchain music platforms Royal and Catalog have begun selling NFTs of musicians’ work, touting NFTs as a more lucrative revenue stream than streaming services, which pay artists low royalty fees every time a song is streamed.

Royal, launched by DJ and producer 3LAU, enables musicians to sell royalty ownership in their songs to collectors, and give collectors access to perks. Royalties are earned by both the collectors and the artists. Catalog allows artists to upload music for free to their platform, allowing them to rake in 100% on primary sales.

American Rock band Kings of Leon and Canadian musician, singer, and songwriter Grimes have released NFTs of their music, while major labels Warner and Universal Music Group have inked deals with NFT projects, including a virtual band with members from Yuga Labs’ Bored Ape Yacht Club collection.

Spotify’s partnership with Diem

Spotify has dipped its toes into the crypto pool before, having been an early partner in Facebook’s now-defunct cryptocurrency project, Diem. The goal then was to use blockchain and cryptocurrency to pay artists directly, even where artists had no access to bank accounts.

Spotify’s CEO at the time said that their partnership with Diem could have opened up opportunities to create links between artists and users on different continents.

Arts

https://www.binance.com/en/news/top/7075755

Interesting NFTs
David vs the Virus
"An ode to the year everything changed" - Frank Wilder The story of the underdog is a reoccurring theme throughout history, and perhaps the most famous example is that of David vs Goliath. A tale about perseverance, in which David takes on and defeats the giant warrior using only his smarts and a stone. Famously depicted by Michelangelo's David statue. Fast forward to the present day in 2020 and we as humanity are faced with our own Goliath. An uncontrollable pandemic spread around the globe. Now with the entire planet being affected by this we understand the gravity of the situation at hand, whether it be a virus we’re fighting or other forces at play, there is indeed an energy out to shift the balance of the Universe… Regardless of our differences, in this moment must unite as one. With diligence, trust and belief we as a whole can come together to triumph against "the enemy". Stay vigilant my friends. Original score created by the one and only Phoenix Wilder.
Right Place & Right Time (bitcoin hourly price offset)
Each day, a new composition for the Master is generated autonomously using a data feed of Bitcoin's last 24 hours of price action. Each hour's price programmatically controls rotation, scale, and position of a correlating layer. Astute viewers will surmise the day's price volatility simply by examining the artwork. While the daily image generation is the result of autonomous API calls, utilizing an algorithm the artist wrote, the artist has chosen to retain a control token. This token allows him to fine-tune variables associated with his algorithm, in addition to addressing aesthetic concerns within the life-cycle of the artwork. Layer state, alpha, hue, saturation, and brightness are elements the artist has retained control of in order that this artwork remain a living work-in-progress. An earlier iteration of this artwork was featured as a nightly projection mapping video on the face of the Daniels Fisher Clocktower, as part of ETH Denver 2020. Access to this and additional exclusive content awaits the master token owner at the artist's NFT Portal: https://collect.mattkane.com/minted-works/right-place-right-time-bitcoin-hourly-price-offset/
Alien Spock
Sup playa! I'm Alien Spock. I enjoy shakin' dat booty, tricking babies, and glaring at the neighbour's cat. I'm convinced that the world is flat. One day I'll prove it. I look forward to spinning sick beats with you.
Banksta
Pump, dump and bump Banksta to death. Demon or dead normal? Print fiat at will. What more do you want?
Poem by Dainagon Tsunenobu, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse
Katsushika Hokusai (1760-1849) Poem by Dainagon Tsunenobu, from the series One Hundred Poems by One Hundred Poets, Explained by the Nurse late 1830s - Japan