12/08/2022 NFT News | OpenSea’s Daily Volume is Increasing | August Week 2

nft news august week 2

With Wednesday’s positive reaction toCPI data, the NFT market saw liquidity coming into the space. However, we must not forget that although the numbers were encouraging they are still very high.

Bitcoin is crawling to make new higher highs. Ethereum is more convincing, but we are not seeing the surge of volume that lines us with confidence. Let’s discover the most important NFT News from the second week of august:

1) OpenSea’s Daily Volume is Increasing

OpenSea’s daily volume was just shy of $30 million. This is important as it is the highest number for the past 30 days. Market cap is also up 5.24% month on month. This is in line with the positive sentiment across crypto. Historically August is a favorable month forNFTsand many are hoping this year is the same.

Market-cap-volume-12thAugust.png

Source:NFT Go
2) NFT Transactions Remain Consistent

When looking at the volume of transactions, Wednesday’s spike was higher than any of the days in the 2nd half of July. Transaction count has had a good start to August but still remains lower than the first 2 weeks of July. Granted, there are a few more days to go until 1st half of August is over. We have to see over the coming days if the positive sentiment stays and gives this relief rally a bit more room to grow.

Whilst crypto markets hit their lows in June, the NFT market remained extremely cautious. Therefore, the confidence came back when traders realized there were bargains to be had. Whilst some needed liquidity others took advantage of the opportunity. Broadly speaking transaction volume has ranged between 40k and 60k.

Daily-vol-txs

Source:Dune Analytics
3) Are NFT Buyers Coming Back?

Looking at the Buyers vs sellers chart there is certainly an uptick. Could it be that sellers are cutting their losses and moving into other collections? Or could it be that buyers are slowly returning to the NFT space? The charts are telling us supply is outstriping demand which could signal that there are bargains still to be had.

Since May, only twice have buyers dipped below the 20k region. It feels that those that are in the NFT Market are seasonsed traders who are proficient in the space. If we take out the highs of May or have a closer correlation between buyers and sellers we can assume that the NFT market space is on its way to being bullish.

Buyers-Sellers

Source:Dune Analytics
4) Let’s Not Ignore Solana NFTs

OpenSea remains the dominant marketplace. This is certainly true when it comes to the USD volume and the money it attracts. Even in these bearish times, the top 5 Solana NFT marketplaces collectively manage just over $7 million daily. This is approximately 3 times smaller than the USD volume that OpenSea is currently attracting. However, it is a different story when we look at the users.

Yes, it is in the ballpark of around 30k users which is similar to OpenSea. However, with the active user count almost as high, this signifies more transactions per user. With this in mind, Solana’s main NFT marketplace, Magic Eden, is considerably more active than OpenSea. Something definitely to keep an eye on once the NFT bull market returns!

solana-markets

Source:DappRaddar

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Arts

https://www.altcoinbuzz.io/nft/nft-news-opensea-daily-volume-is-increasing-august-week-2/

Interesting NFTs
Mars House
Mars House is the first NFT digital house in the world. Upon purchase of Mars House NFT, 3D files will be sent to the new owner by Krista Kim Studio Inc. for file upload to the owner’s Metaverse. Technical support for Mars House integration on Metaverse is provided. (Architectural Digest, March 14, 2021) “Kim ventured into NFTs while exploring meditative design during quarantine; her hope was to use the influx of digital life as an opportunity to promote wellbeing. Comprised entirely of light, the visual effects of her crypto-home are meant to omit a zen, healing atmosphere. The artist also partnered with musician Jeff Schroeder of The Smashing Pumpkins to create a calming musical accompaniment. So what makes the file a compelling purchase? Beyond the promise of buying into the lucrative NFT market, the home and all of the furniture in it can be built in real life by glass furniture-makers in Italy, as well as through MicroLED screen technology. Kim also has a strong visions the art being projected, as well. “Everyone should install an LED wall in their house for NFT art.” says the artist. “ This is the future, and Mars House demonstrates the beauty of that possibility.” The owner is in agreement to the following terms and conditions upon purchase of Mars House (hereby referred to as Mars House NFT): The collector agrees to own one copy of Mars House NFT on a single Metaverse platform. The collector is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio Inc. will provide technical support to upload and integrate Mars House NFT on a Metaverse platform. If/when Mars House is resold, the collector is required to delete all Mars House NFT 3D file(s) from his/her Metaverse, and provide verification of deletion to Krista Kim Studio Inc. before new 3D files are transferred to the new owner by the artist. The new owner is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio will send Mars House NFT 3D files directly to the new owner and provide support for Metaverse integration. This verified ownership transfer system will be appointed to Krista Kim Studio Inc. trusteeship, after 40 years of the date of the sale. Krista Kim Studio Inc. retains ownership of Mars House NFT copyright. All rights reserved. All reproductions of Mars House (NFT) in both digital and physical formats, are restricted. Mars House NFT physical furniture pieces, made of tempered printed glass in Italy, may be commissioned by the collector as NFT physical pieces.
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
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My Other Half | Inspired by Minecraft: The Last Minecart (2011)
Almost every year, we capture ourselves in a way that no photo or video is capable of: with a photoscan. If you dig through our archives, you'll find many of them and can see exactly how we change over time. Sam Gorski, Creator | I wanted to find the oldest scan of myself and put him side-by-side with Sam from the present. While it is hard to look at it and not miss the years past, at the same time, this gives me hope for the future by embracing and cherishing the change in my life. How would I have gotten this far without him? About This Piece | Sam on the left was captured in 2014, while Sam on the right was captured last week (2021). This work represents the personal, creative, and emotional journey in all of us, and the hope that ourselves tomorrow may be better than ourselves today.