29/11/2022 Industry expresses confidence in the NFT space amid the FTX collapse

NFT artist Johnathan Schultz believes that the era of NFTs without utility is dwindling, and to survive, it must outgrow the “memeification” of things.

Industry expresses confidence in the NFT space amid the FTX collapse

NFT artist Johnathan Schultz believes that the era of NFTs without utility is dwindling, and to survive, it must outgrow the “memeification” of things.

Even before the FTX collapse,nonfungible token (NFT)collections have already felt the impact of the crypto winter, withtrading volumes going down by 98%. With the FTX debacle, the once burgeoning space seems to have been hit with the final nail to its coffin. However, executives within the industry are optimistic about the space’s recovery.

With the enormous amount of user funds stuck in the FTX exchange amid its liquidity crisis, users have tried roundabout ways to withdraw their money. One of the alleged methods for withdrawing balances isbuying NFTs based in the Bahamas. Many community members criticized the method as it bypasses bankruptcy laws, evenmockingNFT utility in the process, painting a negative picture of NFTs.

However, Oscar Franklin Tan, an executive at NFT platform Enjin, believes that this is not a fair summary. Speaking to Cointelegraph, Tan said that while NFTs were used, other items could have also been used. “It had nothing to do with NFT technology and more to do with that loophole for Bahamas users,” he noted.

The executive is also positive about the survival of the NFT space despite the FTX effects and the bear market. Tan highlighted that the space should refocus on how NFTs demonstrate the acceptance of digital ownership, new models for content creators and funding content creation. He explained that:

“Admittedly, there was a lot of hype and excessive exuberance for some models, but this is true with all new technology. The NFT space is sure to stabilize and consolidate around the strongest communities, then we will see a second generation of smarter, more sustainable NFT models.”

Tan highlighted that to recover, NFT projects should focus more on utility and building their communities. Avoiding short-term speculation and unrealistic roadmaps is a must. Rather, they should have long-term sustainable value.

Various players within the NFT space also echoed the sentiment. Jamie Thomson, the CEO of NFT game studio Vulcan Forged, commented that NFTs with utility in proven markets are bound to survive. Thomson told Cointelegraph that the same cannot be said for NFTs based on speculation and bragging rights. However, the executive said that these types of NFTs will “suffer more due to more frugal hands” as users wait for a better market. Thomson further said:

“Less speculation, more mandatory utility. As with tokens, if the NFT is essential for a project’s functionality or user’s presence, then there is less concern for price furcations. In essence, a gaming item, access to certain features, access to added value.”

Meanwhile, NFT artist Johnathan Schultz believes that the era of NFTs without utility is dwindling. “That is why we are seeing more projects with a lot more use cases and utility,” he said. Schultz also told Cointelegraph that for the space to survive, it must outgrow what he describes as the “memeification” of things. This means building projects that matter and help the entire space.

Alex Salnikov, the co-founder of Rarible, also commented on the topic. According to the executive, while the current demand for NFTs may be lower, high-end brands and world-renowned athletes are jumping on board. Salnikov said that it's important to not just look at the prices as the sole consideration when looking at the current state of NFTs. He said that:

“The space will survive by looking beyond criticism and focusing on building new technological innovations that offer new kinds of utility. We’ve been through bear markets before and we’ll make it through this one as we have in the past.”

In addition, the Rarible co-founder also urged the community to focus on earning people's trust again and rebuilding momentum, similar to the 2021 NFT craze. However, Salnikov also highlighted that it must be more sustainable.

With FTX’s NFT marketplace caught in the middle of the company’s implosion, Nick Rose Ntertsas, the founder of the NFT platform Ethernity, offered suggestions on how it can be done better. Speaking to Cointelegraph, Ntertsas said that FTX’s centralized exchange-based model for its NFT platform was closed. He explained:

“That model should have been democratized and transparent. NFTs should eventually go cross-chain and be interoperable, not siloed by one gatekeeper, something we’re working on and passionate about.”

Contrary to the other sentiments, Ntertsas believes that there’s no one thing that NFT projects should focus on, as different projects will have different objectives. However, the executive wants to see more projects that challenge the space to “rethink what is possible with NFTs.”

Arts

https://cointelegraph.com/news/industry-expresses-confidence-in-the-nft-space-amid-the-ftx-collapse

Interesting NFTs
Virgin Oldlace Googly Gold G4
Ugh! I'm Virgin Oldlace Googly Gold G4. I've never told anyone this, but I once pranced with a dog. I once got in a fight with a moose, and won. We're so fur-tunate to have found each other!
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
#60092
By OthersideDeployer
Christmas Sleigh
First Christmas-themed Visual Toy. For this work the artist has created a fantastic sleigh, ornamented in detail and with all the Christmas spirit that transports us to childhood, illusion, innocence. With its gift wrapping machinery, its Santa, a snow globe, the nutcracker, the European-style village and its soundtrack (first time with music) it is a whole Christmas mosaic for the imagination.
Mars House
Mars House is the first NFT digital house in the world. Upon purchase of Mars House NFT, 3D files will be sent to the new owner by Krista Kim Studio Inc. for file upload to the owner’s Metaverse. Technical support for Mars House integration on Metaverse is provided. (Architectural Digest, March 14, 2021) “Kim ventured into NFTs while exploring meditative design during quarantine; her hope was to use the influx of digital life as an opportunity to promote wellbeing. Comprised entirely of light, the visual effects of her crypto-home are meant to omit a zen, healing atmosphere. The artist also partnered with musician Jeff Schroeder of The Smashing Pumpkins to create a calming musical accompaniment. So what makes the file a compelling purchase? Beyond the promise of buying into the lucrative NFT market, the home and all of the furniture in it can be built in real life by glass furniture-makers in Italy, as well as through MicroLED screen technology. Kim also has a strong visions the art being projected, as well. “Everyone should install an LED wall in their house for NFT art.” says the artist. “ This is the future, and Mars House demonstrates the beauty of that possibility.” The owner is in agreement to the following terms and conditions upon purchase of Mars House (hereby referred to as Mars House NFT): The collector agrees to own one copy of Mars House NFT on a single Metaverse platform. The collector is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio Inc. will provide technical support to upload and integrate Mars House NFT on a Metaverse platform. If/when Mars House is resold, the collector is required to delete all Mars House NFT 3D file(s) from his/her Metaverse, and provide verification of deletion to Krista Kim Studio Inc. before new 3D files are transferred to the new owner by the artist. The new owner is required to register Mars House NFT ownership with Krista Kim Studio Inc. Krista Kim Studio will send Mars House NFT 3D files directly to the new owner and provide support for Metaverse integration. This verified ownership transfer system will be appointed to Krista Kim Studio Inc. trusteeship, after 40 years of the date of the sale. Krista Kim Studio Inc. retains ownership of Mars House NFT copyright. All rights reserved. All reproductions of Mars House (NFT) in both digital and physical formats, are restricted. Mars House NFT physical furniture pieces, made of tempered printed glass in Italy, may be commissioned by the collector as NFT physical pieces.