24/03/2023 Code is Not Law: Case on Who Owns the First NFT Dismissed by Judge


This week, James Cott, a judge for the U.S. District Court for the Southern District of New York, dismissed the case, saying that the company failed to establish ownership, malice, or damages.The plaintiff claimed that between 2014 and 2021, McCoy had let his ownership ofQuantumlapse. McCoy had minted his novel NFT on a blockchain called Namecoin, which requires users to update their records every 200 to 250 days, if a user fails to do so, others are free to claim the “blocks” in the blockchain that contain records of ownership. Free Holdings claimed that in 2015, McCoy failed to update his records and, in the spring of 2021, as the NFT market was heating up, Free Holdings claimed theQuantumblockchain record on Namecoin. As part of preparing for the sale, McCoy and Sotheby’s mintedQuantumon the Ethereum blockchain, saying that the record for the original had been “burned” or destroyed when the registration lapsed. McCoy preserved the on-chain data once held on Namecoin to the Ethereum blockchain, which represents a more modern standard.The case brought a central tenant of Web3 before the legal system: that code is law. For those invested in the ideological project of crypto, ownership is a simple matter of possession. If you have crypto or NFTs in your wallet, it’s yours. No insurer, bank, government agency or other third party should interfere. Running the risk of being stolen from or cheated in some way is the price of freedom from outside meddling.But, as Kevin McCoy toldARTnews, “When you take a matter to federal court it’s the opposite of code is law—law is law.”This isn’t to say that the court didn’t take into account the nuances of digital ownership. In the Opinion and Order handed down this week, the judge took into consideration different, existing interpretations of ownership within the context of Namecoin blockchain. Namecoin functions by assigning a token a “Name” that is associated with a public key, or a string of numbers, that assigns ownership of the token. Similarly, as with NFTs minted on Ethereum, which consist of the representation and the receipt (or smart contract) which contains records of ownership, there is a vital split in the digital asset. Because of this split, there are different interpretations of what constitutes the actual asset. One interpretation is that the token —the representation— is the asset, and that re-registering the asset to a different public key, once the previous one has lapsed, is just the creation of a new receipt, not a new work.

But there are others who believe that the NFTisthe public key, and that when an NFT on Namecoin is re-registered, a new work has been created.

The third interpretation is that the creation of a new registry marks the creation of a new NFT that nonetheless retains the history, or provenance, of the public key that came before it.

The judge appeared to lean on the second interpretation in their Opinion, arguing that Free Holdings failed to make a convincing argument as to why they were entitled toQuantum, as it existed on the Ethereum blockchain, vis-a-vis their ownership of a re-registered receipt, which represents a wholly different NFT.

“Free Holdings has demonstrated nothing more than an attempt to exploit open questions of ownership in the still-developing NFT field to lay claim to the profits of a legitimate artist,” Judge Cott said in his dismissal.

The case represents an interesting meeting of Web3 and the law, with the boundaries of digital ownership more clearly defined, but not totally in view.

The lawyers representing Free Holdings did not respond to a request for comment, though they did tell theNew York Times that the team was “evaluating its options.”

Arts

https://www.artnews.com/art-news/news/kevin-mccoy-quantum-case-dismissed-free-holdings-sothebys-1234662076/

Interesting NFTs
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.
Not Forgotten, But Gone
Not Forgotten, But Gone by WhIsBe
CryptoBots
Beware of the CryptoBots.
Meebit #8598
The Meebits are 20,000 unique 3D voxel characters, created by a custom generative algorithm, then registered on the Ethereum blockchain.
#56760
By OthersideDeployer