02/06/2023 Japanese Airline ANA Launches NFT Marketplace

Japan's largest airline group holding company All Nippon Airways (ANA) has launched a non-fungible token (NFT) marketplace featuring aviation photography, digital collectibles and more on the Ethereum blockchain. At launch, the marketplace supports the MetaMask wallet as well as payments with fiat currency via credit card.

The marketplace, calledANA GranWhale NFT Marketplace, was released through its subsidiaryANA NEO, which focuses on creating immersive digital experiences across the ANA ecosystem. The first NFT collection on the site will feature work from aviation photographerLuke Ozawa, who has been taking photographs of planes for half a century.

Other collections include NFTs of two digital 3D airplanes, including a customized Boeing 787 that the airline introduced in 2011 and a generative art collection calledAirbits, which features pixelated airline pilots.

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"The ANA Group will apply NFT to the aviation industry and promote the business to develop new connections with customers," the company said in apress release.

ANA Holdings was established in 2013 and touts itself as the largest airline group holding company in Japan comprised of 69 companies including ANA and Peach Aviation. ANA NEO is also working on a metaverse travel experience calledANA Gran Whale, which will integrate passengers' flight histories into their digital avatars.

ANA joins other airlines looking to integrate crypto concepts into their business offerings. In March, low-cost Argentinian airline expanded its partnership with NFT ticketing company TravelX tooffer all e-tickets as NFTs on the Algorand blockchain.

Arts

https://www.coindesk.com/web3/2023/06/01/japans-largest-airline-group-ana-launches-nft-marketplace/?outputType=amp

Interesting NFTs
TPunk 3442
By A1F6BF
#61489
By OthersideDeployer
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.
LADY MAGDALA’S LOVER
Mystery lover like no other.
Last Selfie #7/10
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