23/08/2023 NFL Players Association Ends Deal With Panini

What Happens to Football NFTs Now That Panini Lost Its License?

Don’t worry, your NFTs aren’t going to be lost to the ether anytime soon.

NFL All Day (Unsplash)

NFL All Day (Unsplash)

An escalating legal war between two top sports card companies is prompting questions about how digital collectibles like NFTs fit into the mix.

This week the NFL Players Association terminated its deal with Italian collectibles company Panini S.p.Athree years earlyin favor of rival Fanatics.

BREAKING: NFLPA says it has terminated its relationship with Panini effective immediately in letter sent this afternoon to agents.

Fanatics is in three years early.

Panini cannot produce any NFL cards with players names or likeness.pic.twitter.com/z7CoEJwR9U

— Darren Rovell (@darrenrovell)August 21, 2023

“Effective immediately, Fanatics has the exclusive right to make NFLPA-branded trading cards,” the statement reads. It’s almost certainly focused on the multi-million dollar market for cardboard sports cards. What’s less clear is how this sudden reneging could impact Panini’s pro-football-themed NFTs.

The NFL Players Association did not immediately respond to an email from CoinDesk.

Fanatics has made its mark in the trading card business via licensing deals with the MLB, NBA, and NFLPA, and purchasing Topps – another trading card company – for $500 million,leading to an ongoing legal conflict with Panini.

But what does this mean for the minted NFL NFTs?

Not a lot, explains Ross Feingold, special counsel at Taipei-based Titan Attorneys-at-Law.

Thefirst sale doctrine, explains Feingold, outlines that the owner of a legal copy of a copyrighted work has a right to display, lend, sell, or even dispose of that copy without the permission of the copyright owner.

“I could draw a mustache on Shohei Ohtani on [a baseball card], and then put it on eBay and sell it,” Feingold said. “Fanatics can't come after me for infringement.”

So don’t expect the Panini-minted NFTs to vanish anytime soon. The company didn't immediately return a request for comment from CoinDesk.

The trading card industrial complex spent a lot of time in court in the 1990s as licenses and limits of the first sale doctrine were tested. Feingold points to a few pivotal cases from that time as creating the legal framework that will guide arguments in court, should a dispute over NFL NFTs ever make it before a judge.

Over the years, and up into the early 2010s, there have been a number of court cases that have investigated the intersection between theright of publicity– the ability for an individual to have the exclusive rights to monetize their likeness – intellectual property ownership of team logos, and the right of first sale.

Feingold points out that trading card companies used to simply ignore intellectual property conventions and licenses, leading to a wild west of trading cards that might have had the blessing of the players’ association, but not the league, vice versa, or none of the above.

A Continually Evolving Legal Issue

As Attorney Paul Lesko argued in his Law of Cards column from 2013, this is anything but a cut-and-dry field.

There have been several notable lawsuits, such as Kareem-Abdul Jabbar v. Upper Deck and Buzz Aldrin v. Topps,Lesko writes, which have taken place but have not provided clear guidance on when manufacturers must pay for the inclusion of athletes or celebrities in their products.

Lesko points to a 2013 decision from the Ninth Circuit, involving Electronic Arts related to its NCAA Football series of video games, which has furthered the debate, and, arguably, it might ultimately support unlicensed use in the trading card industry.

The court's reasoning, Lesko writes, emphasizes the importance of reporting factual data and historical events and differentiates this from other commercial uses, like video games, where the likeness of individuals is employed without explicit permission.

If there’s one takeaway, it’s that the right of publicity in the trading card industry is a complex and highly litigated matter, and the uniqueness of different right of publicity laws in all 50 states creates a minefield.

NFTs Might Make Things Specifically Complicated

Generally speaking, the first sale doctrine would prevent these now-unlicensed NFTs from vanishing into the ether.

But what if the first sale doctrine regarding NFTs itself was something that’s not yet iron-clad?

A February 2023 paperfrom legal scholar Joshua Durham, published in the Wake Forest University Journal of Business & Intellectual Property Law, argues that the NFT landscape is evolving faster than the law.

Interesting NFTs
Classical Collage
voronoi fun with some well known art
My Other Half | Inspired by Minecraft: The Last Minecart (2011)
Almost every year, we capture ourselves in a way that no photo or video is capable of: with a photoscan. If you dig through our archives, you'll find many of them and can see exactly how we change over time. Sam Gorski, Creator | I wanted to find the oldest scan of myself and put him side-by-side with Sam from the present. While it is hard to look at it and not miss the years past, at the same time, this gives me hope for the future by embracing and cherishing the change in my life. How would I have gotten this far without him? About This Piece | Sam on the left was captured in 2014, while Sam on the right was captured last week (2021). This work represents the personal, creative, and emotional journey in all of us, and the hope that ourselves tomorrow may be better than ourselves today.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great JosĂ© Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
#10133
By OthersideDeployer
Chestnut Salmon
Hey cutie! I'm Chestnut Salmon. All you need to know about me is I hate apple pie with a passion. I once loved a dolphin. I don't like to talk about it. Let's pawty!
For projects
News and stats platform for NFT (non-fungible token) 2024 All rights reserved.