12/07/2021 Banned Twitch streamer Indiefoxx moves to selling NFT videos

After receiving a sixth Twitch ban, streamer Jenelle “Indiefoxx” Dagres is now selling clips of her streams as NFT videos to purchase.

First announced on Twitter, Indiefoxx has shared that she will continue to earn money from her previous Twitch streams by selling clips as NFT content.

In the video below, Indiefoxx announces that “I have partnered with Eternal and they’re going to be helping me make NFTs”, which she describes as being “digital trading cards like Pokémon“.

NFTs (Non-Fungible Tokens) are digital assets that provide buyers with a unique copy of content, typically including both access to the content and data stating you own it.

On the same day, Indiefoxx announced that all of her listed NFTs had sold out within 30 minutes.

To sell clips as NFT videos, Indiefoxx has become a Partnered Creator with Eternal.gg, which allows users to “Collect moments from stream and gaming history while supporting your favourite streamers!”

As Dexerto notes, this follows her sixth ban on Twitch. As well as being banned from the platform, Indiefoxx was stripped of partner status on the streaming site.

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Arts

https://www.nme.com/news/gaming-news/banned-twitch-streamer-indiefoxx-moves-to-selling-nft-videos-2989984

Interesting NFTs
Yoshida on the Tokaido Highway, from the series Thirty-six Views of Mt. Fuji
Katsushika Hokusai (1760-1849) Yoshida on the Tokaido Highway, from the series Thirty-six Views of Mt. Fuji 1831 - Japan
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
The Rabble
The Rabble on the TV.
Elk Bubblegum Kitty!
Shalom! I'm Elk Bubblegum Kitty!. I'm a Dogwalker by day, and I like practicing witchcraft by night. I would give it all up to be on Oprah. It's pawesome to meet you!
缥缈之美的过去与现在(Vanitas Then and Now)
虚空派的画像。在这个虚拟时代,外在之美到底是否还受到时间的限制?(Vanitas portrait of a woman. Is beauty finite or not in the Virtual age?)