04/10/2021 DC will give away free superhero NFTs to people who register for its FanDome event

The NFTs will drop October 5th

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DC is giving away free non-fungible tokens (NFTs) of its superhero comic book covers to people who register for its October 16th FanDome event. The NFT drop is set for October 5th, and those whoregister for FanDomewill receive one free, randomly-selected NFT, and become eligible for a second free NFT if they post about their first one on social media.

The NFTs will come in three levels of rarity; common, rare, and legendary, and will include Batman, Superman, Green Lantern, Wonder Woman, and Harley Quinn options.

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DC is working on the NFTs with Palm NFT Studio, which the comic maker chose for its “environmentally sustainable and energy efficient” technology, which let the company mint “millions of NFTs for fans with near zero cost,”according to a news release. The companies aren’t saying how many comic-book cover NFTs are planned. “This drop pays homage to our 87 year history while visualizing a future in which NFTs play a foundational role in novel ways of interacting with DC content and unlocking new experiences,” DC’s Jim Lee said in a statement.

Last year’s virtual FanDome, the first ever for DC Comics and Warner Bros., provided first-look trailers for Zack Snyder’sJustice League,Wonder Woman 1984,The Suicide Squad, and Robert Pattison’s turn asThe Batman. It drew an estimated 22 million views.

This year’s lineup is expected to include a new trailer forThe Batman, as well as previews of upcoming moviesBlack Adam,The Flash, andAquaman and the Lost Kingdom,new details about the next seasons for its showsHarley Quinn, Batwoman, Superman & Lois, and Sweet Tooth, and the next chapter of theFortnite — Batmancrossover.

Arts

https://www.theverge.com/platform/amp/2021/10/2/22705818/dc-free-superhero-nfts-register-fandome-event

Interesting NFTs
Marinalandia
The aquatic world in a world to observe, to recreate, like the glacial landscapes. Both are a planet within ours, full of colors in the tropical case or minimalist in the glacier case, with strange species and wonderful animals each in its environment. This visual toy brings you a piece of that world in a fantastic setting.
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).
X*Y=K
･゜ﾟ･:.｡..｡.:*･'(ﾟ▽ﾟ)'･*:.｡. .｡.:*･゜ﾟ･* for more info see https://tinyurl.com/56unnr39
ℤ
Things are not always as they seem. Living in poverty is like serving a sentence in a prison with invisible bars. The keys are in plain sight, yet impossible to reach. Screen time captivates us with its addictive dopamine triggers, plucking at our attention span until we are no longer aware of the present... What if both worlds collide? Hand-rendered acrylics on bristol board scanned and converted into a digital image.
GS02
"I wanna be adored" is a collection that explores the concept of adoration and religion through the artistic glorification of popular icons such as Elvis, David Bowie or Marilyn Monroe, elevated to the category of gods and virgins, from where they claim their right to be worshipped. They occupy in their own right a sacred place, traditionally reserved exclusively for biblical figures. Faith, forgiveness, sanctification and finally glorification are omnipresent concepts in these pieces, which explore not only the need to worship, but the desire to be worshipped ourselves. As a way of vindicating a more human concept of the divine, the protagonists of the collection reign from a more earthly heaven, more within reach of the viewer, illuminated by neon lights, like a heavenly Las Vegas where virtue and sin go hand in hand.