21/06/2021 NFTs Are Experiences, Not Things

John Koetsier is a journalist, analyst, author, and speaker.
Updated with a reference to NBA player Kyle Lowry’s new NFT collection

The entire story of non-fungible tokens to date has been a kind of Keystone Cops combination of Amazing New Possibility and Dumbest Thing Ever. Opposites attract, apparently.

Crypto whales and collectors are paying millions for the tiniest smidgen of the meaning of the word “ownership” we’ve ever known: someone, somewhere, owns a $69 million dollar piece of digital art which you, I, or anyone else can view online, download, store, print, and enjoy. In fact, Christie’s, the auction house that facilitated the sale, continues to make it available right here. And now the U.S. Space Force is selling augmented reality NFTs of Neil Armstrong, mission patches, and satellites. The New York Stock Exchange is minting NFTs. Plus yes, you can get Olympic pins in NFTs too.

Why the craze?

Because maybe, just maybe, the experience is more than the thing.

And that might be just in time to save a sector from over-hype, a crypto collapse, and massive over-saturation as everyone’s Microsoft Paint juvenilia floods into the NFT markets.

“How we [initially] saw this space ... was just to offer a virtual autograph or a picture or a video of someone, a famous musician’s backstage concert, their very first concert,” Harrison Shulman, CEO of NFT start-up New Renaissance told me recently on the TechFirst podcast. “And I think where it’s heading now ... is incorporating these experiential components into the assets themselves, because those experiential opportunities — such as playing a game of horse with Danny Green and taking that in many different directions — that is something that money can’t buy.”

Well, actually if you buy the NFT that New Renaissance is selling of NBA player Danny Green’s championship ring, you can buy that. It comes along with a rotating 3D image of the ring (slightly altered because the NBA’s lawyers were unimpressed with their logo being included in the token).

But the point is valid.

Burning a record into a blockchain that certifies your ownership of a digital file that basically anyone else can view, save, print, and store is not exciting (at least, not to me). It’s also not a very robust definition of ownership, which is perhaps one reason why the NFT markets cooled significantly in the spring ... with a few recent signs of resuscitation. After all, if everyone can physically (digitally) possess the thing I “own,” what does owning it mean?

But NFTs also offer new meanings of ownership ... fractional ownership. And, a new sharing economy for things that were previously hoarded.

“A priceless oil painting purchased at an auction would be selfishly hoarded in a study or perhaps generously loaned out to a museum for an exhibition,” says author and podcaster Joseph Jaffe. “In the abundance economy however, a piece of digital art has one owner but infinite possibilities to consume and enjoy.”

Imagine owning fractional pieces of digital art, for instance. Depending on the smart contract, that could mean all owners would be able to display it, or one at a time depending on what percentage each owns.

But experiences can make NFTs even more powerful.

Listen to the interview behind this story:

We keep concert tickets or tickets to sporting events, for instance. They’re memories of an event that we enjoyed and want to treasure. But a pass in Apple Wallet doesn’t quite have the same je ne sais quoi factor ... the same emotional appeal. So NFTtix will let you create digital tickets that are souvenirs too, and Ticketmaster is looking at pulling an NBA Top Shots — probably the most successful consumer NTF hit so far — for those unforgettable concert moments.

“It’s about community,” says Shulman. “And that’s a great way for brands and creators to tie in their fan following in a really cool, engaging, and unique way.”

Which is why New Renaissance isn’t just about a digital record in a hidden blockchain on a nameless box in a server farm for Amazon Web Services in the U.S. West Region. The company is also — at the right price — supplying a PORTL hologram device for you to display your costly NFT.

“Sports fans will get the sports jersey and put that jersey on the wall,” says co-founder Francisco Lopes. “We think that the future is for you to be able to have these collectibles that are digital, and maybe you host them through some hardware ... and you can have that in your house.”

And that opens up more possibilities. And an NFT isn’t just a completely virtual thing anymore: it has a physical avatar, in a sense, that you can enjoy in the “real world” with family and friends ... and flex about it too, Shulman says.

If that’s your cup of tea, of course.

Delivering experiences also opens the door for brands to offer new and unusual things. Brands could give NFT holders the right to vote on logos, product offerings, ad designs, or more, Shulman says. And that’s just the beginning.

“Imagine an NFT from Budweiser that offers one Super Bowl ticket to its holder,” Jaffe says. “When I wrote Flip the Funnel, I spoke about how brands could deliver ‘priceless experiences’ (things money could not buy) via ‘universal currency’ (which we now know can be delivered via cryptocurrency).”

So there’s huge opportunity.

And just like crypto has brought us thousands of altcoins (the polite term), there are also a million horrifically bad NFTs of people’s toenails or random pictures or stolen artwork.

Which is, of course, the sure sign of an emerging market that is growing through the hype cycle and — perhaps — through a trough of disillusionment, past the slope of enlightenment, and ultimately arriving at the plateau of productivity.
We’ll see, won’t we?

So far, Danny Green’s digitally-altered NBA-lawyer-safe NBA championship ring doesn’t appear to have any takers.
Arts

https://www.forbes.com/sites/johnkoetsier/2021/06/16/nfts-are-experiences-not-things/?sh=8d0c5da4ac98

Interesting NFTs
Smile to Shreds, Neon Gwen
The First KayPikeFashion Mint Ever. Ever feel so joyful and were grinning so hard you felt you could split in half? That punk rebel yell of glee when you pull of a particularly refined stunt? This is the paint of dreams, fangs and neon. Hellish and hard to pull off. I was able to with this work quietly paint a sweet inner tale of childhood influences, rat fink and autobody shops. All while pretending to paint gwenom for the audience. More on that in bonus material. This is my alternate animation made specifically for crypto art collectors. It will only ever exist in this format. You get the Shiny, unused in media verified image. More on that in the bonus material. Mixed Media: Bio/Digital. Glycerin on 5'9" human skin 10-14 hours Performance art. Shot on Canon EOS RP. 16 + hours Photoshop and DaVinci Resolve. All Works are SFW. Art has been Seen on the front page of Reddit, Featured in the New York Times, Galileo.tv, and multiple other promotions including Twitch.tv, Disney Interactive, RIOT games, WB games, AMD and more! More on how this art is unique and potentially explosive in the NFT world: https://youtu.be/CXbNF2Y6srs ------------------------- The purchase of this NFT Grants the buyer unique bonus material. Physical Mail Bonus Package: A verified physical Art Print. Autographed from the artist in 12x16. Please allow a few weeks for delivery. Digital Bonus Package: This image in .mp4. An "About the Art" Video and an "From the Artist" introduction. A README.txt about the artwork with some personal notes and Links relevant to the artwork.
My Other Half | Inspired by Minecraft: The Last Minecart (2011)
Almost every year, we capture ourselves in a way that no photo or video is capable of: with a photoscan. If you dig through our archives, you'll find many of them and can see exactly how we change over time. Sam Gorski, Creator | I wanted to find the oldest scan of myself and put him side-by-side with Sam from the present. While it is hard to look at it and not miss the years past, at the same time, this gives me hope for the future by embracing and cherishing the change in my life. How would I have gotten this far without him? About This Piece | Sam on the left was captured in 2014, while Sam on the right was captured last week (2021). This work represents the personal, creative, and emotional journey in all of us, and the hope that ourselves tomorrow may be better than ourselves today.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Childhood #3
Don't you dare look back.
Young And Bearded
Mahalo! I'm Young And Bearded. I've never told anyone this, but I once cleaned a dog. Sometimes I daydream of a life full of tricking babies, apple pie, and swiping left. I hope you like kitten around as much as I do!