09/12/2021 NFTs Are the Big Holiday Gift This Year — Whether You Want One or Not

Instead of unwrapping a present, some will be opening up a wallet.

Platy Punks
Source: PlatyPunks.com

This Christmas’s unexpected stocking stuffer might be an NFT.

People who are both new and experienced in the nascent world ofnon-fungible tokens say they’re planning on distributing the digital gifts to friends and family — who might not really know what to do with the presents.

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Abraham Aradillas says he hadn’t heard ofan NFT until about six months ago, after they exploded onto the popular culture mainstream and wereparodied by SNL. But now the 23-year-old truck driverfrom Dallas says he’ll bebuyingPlaty Punks—a popular NFT with the image of a platypus — for allhis friends for Christmas, and he thinks they’ll be excited and confused.

“When I told my friends I bought an NFT, they laughed at me. They’re like ‘You bought a picture of a platypus.’ So I think they’ll have the same reaction,” Aradillas said.

As the prices of Bitcoin and other cryptocurrencies have skyrocketed in the past year, NFTs have been lifted upin the mania. They’vepiquedthe interest of people who started trading and managing their own portfolios during the pandemic, as well as those who finally got a handle on crypto.

Somegift givers say they hope their friends and relatives will learn about NFTs or that the token will be a good investment:Sort of like a lottery scratch-off, the gift could pay off big time. In other cases, the gifts are more akin to collectables,souvenirs or art.

‘Wallet’ and ‘Keys’

For recipients, the gift can feel like a chore. If they are new to crypto, they have to learn terms like “wallet” and “keys,” not to mentionwhat NFT stands for.

Educating family about NFTsis part of Jessica Walker’s motivation for givingthe tokensas gifts this year for Christmas.

“To understand the new technology, you have to be introduced to it on a personal level,” said Walker, 28, who creates educational content forprice-tracking website CoinMarketCap.

Her budget is about one Ethereum, or $4,100 U.S. dollars. Walker’s father and 25-year-old brother are football fans, so she’s eyeing some of the products on Tom Brady’sNFT platform Autograph. For her mom, an avid news follower, she’s looking at an NFT from aline created by the Associated Press.

She thinks her mom, who has her own Coinbase account, will appreciate the gift. Her brother, however, is a different story.“My brother will look at me slightly disappointed that I have not bought him food or alcohol,” Walker said.

Paula Sanguino, 36, a dental hygienist of Raleigh, North Carolina,says her first reaction to being given an NFT was excitement — along with a bunch of questions. She received the web addresspaulas.eth from a friend. It’s a domain name — like .com or .net —but also functions as an NFT as well as a way to send and receive cryptocurrencies.

“‘Thank you! Is this a domain? What do I do with this? Can I sell it later?’”Sanguino recalled saying.“I was very confused by it when he shared it with me.” She said it took her a few weeks to wrap her head around the concept of why something like this would be worth as much money as it was.

OnChain Monkey

Montreal resident Nicolas Hebert is using gifts of NFTs as something of a memorialto afriendwho recently died. Hebert, a 30-year-old commercial manager in the Canadian cannabis industry, and two other pals are giving their friend’s niece and nephew, both under age 12, NFTs in honor of him.“We know this is something he would have done this year,” Hebert said.

The kids will get an OnChain Monkey, which initially cost Hebert about $40 when he helped mint it but is now worth around $2,000 to $2,500, he said. They will also be gettingan NFT called 2 Ballerz, which cost $200 each to mint. There’s no current marketplace for Ballerz.

Rather than buy NFTs to give, some families are creating them.Palo Alto-based angel investor Chris Eberlehelped his 13-year-old son, who wants to be an animator, design one that will go out to family.

Therecipients will learn of their NFTs in an old-school way, through a picturein a card. “There’s more of a payoff when you open a card with a cool picture,”saidEberle,47, who just started his own investment company, Defiant Capital, after serving as director of content and marketing globalization at Netflix.

Gift givers might want to feel out their recipients first to see if the present would be welcome.

Jules, a 16-year-old from Maryland, said he would be disappointed if he got an NFT as a gift, particularly because of theenergy used to create crypto.

“I wouldn’t know what to do with it, to be honest,” said Jules, whose mother asked not to use his last name.“What do you do with it? I think I would just hold ontoit. I think that would be the least harmful thing I would do. It really holds no value to me.”

Arts

https://www.bloomberg.com/news/articles/2021-12-08/nfts-are-the-big-holiday-gift-of-2021-and-they-aren-t-just-for-crypto-lovers

Interesting NFTs
A Ride on a Slug’s Back (Stair Slug)
MISHA KAHN (B. 1989) A Ride on a Slug’s Back (Stair Slug) Printable 3D model (FBX with vertex colors) together with an MP4 (00:00:08 seconds, 2048 x 2048 pixels) Executed in 2021. This work is unique and is sold as a non-fungible token. token ID: 25589172339488513184097753251259367849292773157707017705630314479430905364481 wallet address: 0x3892f55253893325771bcebda2aaacdd5c793c4c smart contract address: 0x495f947276749Ce646f68AC8c248420045cb7b5e
Hairy
hairy by Steve Aoki x Antoni Tudisco. Comes with Infinite Objects screen!
#93975
By OthersideDeployer
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?