13/01/2022 The Associated Press is starting its own NFT marketplace for photojournalism

Resellers will also be to get in on the action.Illustration by Alex Castro / The Verge

TheAssociated Press, orAP, has announcedthat it’s startinga marketplaceto sell NFTs of its photojournalists’ work in collaboration with a company called Xooa. It’s billing its foray into NFTs as a way for collectors to “purchase the news agency’s award-winning contemporary and historic photojournalism” and says that the virtual tokens will be released at “broad and inclusive price points” (though it’s hard to tell what types of prices resellers will want on theAPmarketplace).

The news outlet says its system will be built on the “environmentally friendly” Polygon blockchain and that the NFTs will “include a rich set of original metadata” to tell buyers when, where, and how the photos were taken. It says its first collection, launching January 31st, will include NFTs featuring photos of “space, climate, war and other images to spotlights on the work of specificAPphotographers.”

Other journalistic enterprises have experimented with NFTs

APisn’t the first journalistic enterprise to use or express interest in NFTs.Quartz andThe New York Timeshave sold copies of their articles as NFTs, and Getty Images’ CEO Craig Peterssaid in Decemberthat there’s “a real opportunity” for the company when it comes to NFTs. We probably won’t see people debating whether to get a Getty or anAPNFT anytime soon, though, as the former seems to be taking a more wait-and-see approach, with Peters saying that he didn’t feel the need to race into the space. So far, though, this does seem like one of the largest NFT-related efforts from a major news source.

It doesn’t seem likeAPis trying to sell its NFTs as a metaverse tie-in (either as part of a virtual museum or as decorations inan online accounting office), like other media executivesin the music industry may be interested in doing. Its announcement andFAQmake no mention ofthe metaverse(outside of mentioning that Xooa also works with brands on “metaverse strategies” in the “About Xooa” section), and the project seems entirely aimed at collectors who want to, as the press release puts it, “seamlessly buy, sell and trade officialAPdigital collectibles through the marketplace.”

“Pulitzer Drops” will “have increased scarcity to preserve their status”

Buyers will be able to pay for NFTs from the market using either credit cards or Ethereum —APsays the MetaMask will be the first wallet supported but that there are plans to add support for others. There will be virtual queues to buy NFTs as they’re released byAP, with “Pulitzer Drops” containing more limited-edition NFTs happening every two weeks — the FAQ says these particular images will “have increased scarcity to preserve their status.” Buyers will be able to resell those NFTs on the site’s secondary market.

APsays that the proceeds from the NFTs’ sale will be used to fund its journalistic endeavors. It’ll also get revenue whenever they’re resold on its marketplace — the FAQ says there’s a 10 percent fee associated with reselling, and Xooa spokesperson Lauren Easton toldThe Vergein an email that the two companies would share that fee. (The transaction fees, or “gas” fees, thatEthereum is infamous forshouldn’t add too much to the price of sales, as they’re significantly lower on Polygon.) Easton also told us that the “photographers will share in all revenue collected,” but didn't specify what their cut would be.

The marketplace has an early access waitlist scheme

APsays its marketplace is set to open on January 31st, but it does seem to be offering a sort of early access scheme; the landing page for the marketplace says you can get on a waitlist and that you can get “priority access” and a higher waitlist ranking if you refer others to sign up. If you’re the type of collectorAPis targeting with these offerings (or you’re someone interested in how this type of marketplace will work), it’s worth doing a thorough read ofthe FAQ— it gets into how Xooa is planning on adding support for moving the NFTs to other marketplaces, talks about how the drops will work, and has tons of detail about the marketplace, account system, and the seller verification processes.

Arts

https://www.theverge.com/2022/1/10/22876993/associated-press-ap-nft-marketplace-xooa-blockchain-photo-journalism-funding

Interesting NFTs
The Rare Pearl Moon with Motion
Motion Version Part of my moon series. This super rare pearl moon has just washed ashore on a remote tropical island beach, fining one of these rare Jems is like a total worldly treasure! These moons, only fall to earth once in a few million years! When I found this one I felt the luck that is said to come with this pearl moon.
TRILL KILL
EVERYDAY #2028
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great JosĂ© Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Bush warbler and roses
Katsushika Hokusai (1760-1849) Bush warbler and roses 1834 - Japan
The Scion
A young figure caught in a moment of distraction, aware only ephemerally of his unconscious being, as it engages in psychological and psychedelic layer spaces. His right arm casually cradles a moray eel; the figure is comfortable but not truly aware of the potentials for danger in such negligence. His shirt reads “Bello” in Pokemon style font, harkening back to a childhood straddling the millennial threshold. To his right side, out of the unconscious deep, shrouded alien heads propagate as a fractal totem, each new iteration a more sophisticated rendering of emotional masking over the cold mystery of the greys. As the scion of the Budgie-Sattva, the young man, in his distraction, is also simultaneously aware of higher levels of self discovery. To his left a psychological topology sets beneath the oracle side of an 8 ball ,hovering; its message a purest concept of acceptance. The “Scion” lettering is in 80’s HeMan style bold declaration. The lower right side of the painting is like a hybrid of melon, feathers, and seeds. The crystals in the background bring light; conducted, refracted, reflected, and dispersed, to balance the dark shadow of the figure’s physical body. The aura of the scion succeeds in layers to point, with a finger, and the crown chakra, toward a center of a mandala existing as nigh pure application of strokes, in essence painterly abstraction, but also revealing hints of the Aura of migraine, and the bi-hemispherical nature of the brain–noting concerns of the possibility of inherited mental disease. Yet the flourish of chakra as it sets against that center is robust, active, coherent, and reveling against all fear. Fundamentally, the piece speaks to the activation of one’s potential to begin to “Know Thyself”, and find greater awareness out of the enigmas of the mind–as an inculcated seed given to the rich soil of one’s own birthright.