21/01/2022 A 15-year-old whose NFT art sales over the past year are now worth more than $1 million breaks down how he did it

Jaiden Stipp, a 15-year-old from Tacoma, Wash., created his first piece of digital artwork on a whim back in February 2021, a movinggraphicof an astronaut-skeleton hybrid waving on the moon.

Fast-forward to today, and Jaiden has become a full-fledged NFT artist. Since selling his first piece for 20 Ethereum, around $30,000 at the time, he has created eight single NFTs of his artwork, and dropped his first edition sale in October, when he made a new NFT artwork available to 367 collectors in a special edition format. The editions sold out quickly and grossed over $350,000 in primary sales directly, he said.

Including secondary sales, which are sales between one buyer and another buyer that exclude the artist, Jaiden’s total art sales are now valued at more than $1 million,according to the websitecryptoart. Jaiden says that his success has been an “unexpected but pleasant surprise” to him and his family.

How it all started

Before getting started in the NFT world, Jaiden was designing flashy logos and album covers for his friends and acquaintances.

“The most I had sold my work for was a $70 commission on an album cover that I made for a friend,” he toldFortune.

After seeing an intriguing post about NFTs onInstagramin December 2020, he signed up for an account on SuperRare, an online marketplace to collect and trade digital artwork. Because he was a minor, he says he had to go through a verification process.

“About a month later, I was accepted and did as much research as I could to figure out what exactly I was getting into,” Jaiden says. “My parents helped me set up everything, and a month after that I minted my first artwork.”

Abstract art that looks like a video game

Courtesy of Jaiden Stipp

What is an NFT and how do you make one?

NFTs, or non-fungible tokens, represent a unique digital asset that belongs to one person exclusively. While any asset could in theory become an NFT, they have so far often been associated with art, music, and videos.

To make (or mint) an NFT, creators need to upload the digital asset to a blockchain, an online network that stores cryptocurrencies. To do so, all artists like Jaiden need is a bit of cryptocurrency stored in a crypto wallet and a digitalized format of the work they intend to upload. To upload an NFT on the blockchain, creators need to have an account on one of the many online NFT marketplaces, such as OpenSea or the SuperRare platform that Jaiden uses.

Once an NFT has been “minted” on one of these marketplaces and put up for sale, cross your fingers and hope for some bids! Creators can set their own initial price and then choose who to award the NFT to after a bidding contest.

When Jaiden uploaded his first NFT piece of art in February 2021, he waited around a week and a half before selling it. Jaiden did not set a price on the NFT, and so he and his family watched different bids come in before deciding to sell for 20 Ethereum, which was then worth about $30,000.

Since then, 20 ETH has become the starting price for most of Jaiden’s work, even though bidding wars almost always ensue to drive the price up.

“Overall, I don't really price my work myself. I let the collectors price it themselves,” he says, referring to these bidding wars.

And as long as creating NFTs stays this accessible, Jaiden sees no reason why new artists won’t continue to emerge.

“It was pretty easy for me to figure it out. Nowadays, there are even more articles and resources out there explaining how to make a crypto wallet and interact with the NFT landscape, so anyone can participate if they want,” he said.

In addition to his success in the digital world, Jaiden is also an accomplished painter. He believes that physical art can and should happily coexist with NFTs, and he likes to include physical pieces with all of his NFT sales.

“Personally, I include some sort of physical [artwork] with all of my single sale NFTs, whether it be through a print, a painting, or other items,” he says.

Building a community

Jaiden thinks his success has largely come down to his age, the unique style of his art, and a strong and passionate community following his work.

“The best thing to do for a newcomer is to do as much research as you can on the space and figure out how to build a community behind your work or collections,” he said. Jaiden currently has 14,000 actively engaged followers onTwitter, a platform that he considers an important hub for the NFT art community.

Multicolor abstract design

Courtesy of Jaiden Stipp

A new kind of art market

Young artists like Jaiden who grew up in a digital world are leveraging their technology and social media savvy to become successful artists outside the traditional art world.

NFTs are everywhere, and 2021 was undoubtedly a breakout year for the medium. Last March, the digital artist known asBeeplesold an NFT for over $69 million at Christie's, one of the world’s leading auction houses. Since then, NFTs have officially gone mainstream.

Buyers shelled out at least $44.2 billion in cryptocurrencies last year to bid in NFT marketplaces, according to blockchain and cybersecurity research firmChainanalysis. As of January 2021, almost 50,000 NFTs are being sold every day, according to transaction trackerNonfungible.com, although that includes all kinds of NFTs, not just works of art.

Not everyone is convinced that the NFT craze will last, however. Other people in the art industry, such as American visual artistCat Graffam, have criticized the technology for prioritizing monetary value over art. Artists like Graffam are unconvinced that NFT art will last long because of the unregulated high costs of artwork that is accessible to only a few collectors.

For his part, Jaiden believes that people will still want to buy, sell, and trade NFTs for the foreseeable future.

“I absolutely believe the current appetite among consumers will be sustained,” he says. “There may be some corrections in the market, but generally, people will still be interested.”

Arts

https://fortune.com/2022/01/19/teen-nft-artist-1-million/

Interesting NFTs
Bored Ape Yacht Club #7090
The Bored Ape Yacht Club is a collection of 10,000 unique Bored Ape NFTs— unique digital collectibles living on the Ethereum blockchain. Your Bored Ape doubles as your Yacht Club membership card, and grants access to members-only benefits, the first of which is access to THE BATHROOM, a collaborative graffiti board. Future areas and perks can be unlocked by the community through roadmap activation.
#62210
By OthersideDeployer
SolPunk_#8858
SolPunk #8858 - Female
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
The Moth Catcher
In this psychologically bed-headed portrait, a creature sets in a trance; his eyes devolved and vestigal, his third eye open but hardened and in a form resembling a Sharingan. The imagery therefore expresses an awareness existing in corporeal introspection. The creature’s mind sprouts, on the left side, an emerging face, grinning. To the right side of the head, red tentacles and fingers intertwine–a collaboration of invertebrate and vertebrate consciousness cooperatively handling paint brushes of the sort used to build an oil painting. The neck and throat bristle with random thorns, as from a rose or the upper portions of a beak sprouting from its flesh. The neck itself disassociates into layers of membranous material, terminating upon an abstracted base of convoluted forms composing its body. The nose is virtually non existent, more a sinus reiterative of the shape of the third eye. Set against the exposed teeth peering out of thick, meaty cheeks, a skeleton-like impression results. That impression sets behind a visceral set of lips and tongue, which is the creature’s prime seat of awareness. Sensual, organic, the tongue organ hangs, meaty, and with consciousness of a sea cucumber. It illuminates at the tip, drawing the attraction of a nearby moth–with mystery of purpose.