04/02/2022 GameStop confirms it's building an NFT marketplace

People walk by a GameStop in Manhattan, New York, U.S., December 7, 2021. REUTERS/Andrew KellyAndrew Kelly / reuters

Asreportssuggested last month, GameStop is getting intoNFTs (non-fungible tokens). The company haspartneredwith Immutable X to build a marketplace for NFTs, which they expect to open up later this year.

People will be able to buy and sell NFTs linked to digital assets for use in various games. The items will include things like virtual real estate, character skins and weapons, according toThe Verge.

Immutable X is based on the Ethereum blockchain, which requires significant energy consumption and highgas fees(a cryptocurrency payment that's required to carry out an Ethereum transaction). The platform claims to diminish those drawbacks by combining many NFT sales into a single Ethereum transaction and buying carbon offsets. As such, Immutable X, whose partners include some blockchain games andTikTok, promises zero gas fees and carbon-neutral NFTs.

GameStop and Immutable X are hoping to entice game developers to use the marketplace with the help ofa $100 million fund. Whether developers and studios will bite en masse remains to be seen.

For its annual State of the Game Industry Survey, the Game Developers Conferencepolledmore than 2,700 devs. It found 70 percent of them and their studios were not interested in NFTs, while 72 percent had no interest in packing cryptocurrencies into their games. Around 28 percent said they were at least somewhat interested in NFTs.

Over the last few months, some studios, publishers and industry figures have announced NFT projects, only to abandon their plans after a significant backlash.S.T.A.L.K.E.R. 2developerGSC Game World, publisherTeam17and prominent game voice and motion-capture actorTroy Bakerall backed out of their NFT schemes.

Ubisoft brought NFTs to one of its games for the first time in December, but it seems saleshave been slow. Last week, an Ubisoft executivearguedthat, for gamers, being able to sell virtual items to others is "really beneficial. But they don't get it for now."

Time will tell whether GameStop’s latest endeavor, which follows itsemergence as a popular meme stocklast year, proves successful. The signs aren't looking promising for the marketplace, though. It's worth bearing in mind that the Steam marketplace has allowed players to buy and sell in-game itemsfor many yearswithout the shadow of NFTs looming over it.

NFTs are designed as public records of ownership of digital assets. The notion is that NFT holders own the asset (which include things like music, digital artworks and in-game items), though in reality the NFT is a verified URL that points to the file. The owner of the URL's destination canalteror delete the file in question. This week, artistsclaimedthat HitPiece, which has since gone offline, was minting and selling NFTs of their music without permission.

Arts

https://www.engadget.com/gamestop-nft-marketplace-155822582.html

Interesting NFTs
Right Place & Right Time (bitcoin hourly price offset)
Each day, a new composition for the Master is generated autonomously using a data feed of Bitcoin's last 24 hours of price action. Each hour's price programmatically controls rotation, scale, and position of a correlating layer. Astute viewers will surmise the day's price volatility simply by examining the artwork. While the daily image generation is the result of autonomous API calls, utilizing an algorithm the artist wrote, the artist has chosen to retain a control token. This token allows him to fine-tune variables associated with his algorithm, in addition to addressing aesthetic concerns within the life-cycle of the artwork. Layer state, alpha, hue, saturation, and brightness are elements the artist has retained control of in order that this artwork remain a living work-in-progress. An earlier iteration of this artwork was featured as a nightly projection mapping video on the face of the Daniels Fisher Clocktower, as part of ETH Denver 2020. Access to this and additional exclusive content awaits the master token owner at the artist's NFT Portal: https://collect.mattkane.com/minted-works/right-place-right-time-bitcoin-hourly-price-offset/
"Rick and Morty" The Ricks Must Be Crazy (TV Episode 2015) - IMDb
"Rick and Morty" The Ricks Must Be Crazy (TV Episode 2015) - IMDb
Last Selfie #7/10
Was it worth it?
#6368
By OthersideDeployer
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.