18/03/2022 NFTs becoming popular as artists struggle to generate revenue

Swedish streaming giant Spotify looks to add blockchain and NFTs to its services, much to the excitement of artists whose earnings could receive a significant boost.

Recent job postings reveal that Spotify is headhunting individuals to work on Web 3.0, an umbrella term for a decentralized form of the internet underpinned by blockchain technology.

One posting indicates an exploratory foray into Web 3.0, with the potential engineering hire joining an “experimental growth” collective, responsible for “driving growth through…Web 3.0”. Another listing is for a manager to join its “Innovation and Market Intelligence” group, where Spotify is hunting for an individual experienced in “content, creator, media, web3, and emerging technology industries” to properly articulate the scope of ambitious projects.

Spotify joins the list of big technology companies venturing into Web3 and NFTs, following Meta CEO Mark Zuckerberg’s announcement earlier this week that Instagram would soon be adding NFT features into its platform.

Earlier this month, the old peer-to-peer (P2P) file-sharing platform Limewire announced it would be returning as a NFT marketplace, aiming to become “a more mature platform” following in its rival BitTorrent’s footsteps after its acquisition by TRON founder Justin Sun in 2018.

The total volume of NFTs traded has shown signs of slowing down in 2022, prompting crypto industry pundits to peg music as the next lucrative vehicle for NFTs via the sales of digital albums or the granting of special perks at live events.

Blockchain music platforms Royal and Catalog have begun selling NFTs of musicians’ work, touting NFTs as a more lucrative revenue stream than streaming services, which pay artists low royalty fees every time a song is streamed.

Royal, launched by DJ and producer 3LAU, enables musicians to sell royalty ownership in their songs to collectors, and give collectors access to perks. Royalties are earned by both the collectors and the artists. Catalog allows artists to upload music for free to their platform, allowing them to rake in 100% on primary sales.

American Rock band Kings of Leon and Canadian musician, singer, and songwriter Grimes have released NFTs of their music, while major labels Warner and Universal Music Group have inked deals with NFT projects, including a virtual band with members from Yuga Labs’ Bored Ape Yacht Club collection.

Spotify’s partnership with Diem

Spotify has dipped its toes into the crypto pool before, having been an early partner in Facebook’s now-defunct cryptocurrency project, Diem. The goal then was to use blockchain and cryptocurrency to pay artists directly, even where artists had no access to bank accounts.

Spotify’s CEO at the time said that their partnership with Diem could have opened up opportunities to create links between artists and users on different continents.

Arts

https://www.binance.com/en/news/top/7075755

Interesting NFTs
Gold Cymric
Good day! I'm Gold Cymric. I enjoy tripping my owner, grooming, and slappin' da bass. My great-great-great-great-great-great grandkitty lived with Mother Theresa. Will you be the ghost pepper hot sauce to my ranch dressing?
Cypher::Prophet
Cypher::Prophet is an artwork dedicated to the punk origins of blockchain designed and realized by hackatao and hex6c. In the transposition into images we started from the iconographic canons of the hacker (hoodie, laptop, cryptographic elements) and associated them with the figure of the prophet, thus highlighting the predictive nature of the works of Eric Hughes (Cypherpunk Manifesto, 1988) and Timothy C. May (Crypto Anarchist Manifesto, 1993) as well as of the blockchain inventors Stuart Haber and Scott Stornetta (How to Time-Stamp a Digital Document, The Journal of Cryptography, 1991). Read the full story on https://medium.com/@hex6c/cypher-prophet-the-punk-origins-of-blockchain-1e8fce311e72
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
CryptoPunk #5822
By C352B5
Domestic - 2017
“Domestic is the manifestation of the cultural patriarchy in my home. The wooden "woman's" tragedy of false desire. It was done in a moment of breakup. The hollow 3d body & its lost eyes, invites you to fill up. Trying to reach out, encumbered and wrapped in its own fragility, the new mother rises."