19/08/2022 I Tried to Understand NFT Art. It Wasn't What I Expected

NFT art has plenty of issues. But with the right tech, it could become totally normal in a few years.

When I began my quest to understand NFTs, I did not think I would end up buying one. Yet there I was, scanning a QR code with my phone in the middle of an art exhibit, spending $69 of my own real money to become the proud owner of a jpeg.

The image, namedIndependence, is of a sculpture of the Statue of Liberty surrounded by a pair of metallic snakes, designed by an artist who goes by the name Fvckrender. (He may be a big deal in theNFT art world, but I still had to bleep out his name in my video.)

For three days this summer, I ran around a New York City NFT convention, toured physicalNFT art galleriesand spoke to the artists and entrepreneurs building this new realm of digital property -- and of course, tried to understand what people evendowith their NFTs. I learned thatNFTs are much more than overpriced cartoons of bored apesyou buy using cryptocurrency -- although there are plenty of people trying to get rich off various pixelated animal heads.

Bridget Carey scanning a QR code to buy an NFT called Independence.

Look, ma, no crypto. In learning about NFT art, I find myself buying a piece by scanning a QR code and entering my credit card number -- as easy as buying shoes online. But what do you do with digital art?

Candice Greene/CNET

This new way of buying and selling digital property is -- no question about it -- absolutely wacky. A lot of it is also problematic. Yet to my surprise, while immersing myself, I found a side of it all that is almost hopeful and inspiring in its potential for the art world, and I learned what it will take for NFTs to be part of our everyday lives.

Arts

https://www.cnet.com/culture/internet/i-tried-to-understand-nft-art-it-wasnt-what-i-expected/

Interesting NFTs
#85150
By OthersideDeployer
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).
CryptoKitties
Sup playa! I'm Kitty #450991. In high school, I was voted biggest teacher's pet. It wasn't heavily publicized, but I once had a brief relationship with Snagglepuss. Purrhaps this is the beginning of a beautiful relationship.
Clock
one thousand four hundred forty one
Really Remote Working Part 2
The second imagined space in the series. Created during the lockdown period whilst being confined to the same place every day, this piece is part of a series of imaginary places that I dreamed of being able to work from.