16/09/2022 Vera Bradley launches metaverse and debuts NFT collection

Image Courtesy: NFT Evening

The lifestyle and fashion accessories brand, Vera Bradley is entering the metaverse and creating various NFT collections.

The genesis NFT collection is now live and celebrates 40 years of fabulous fashion. Significantly, the ‘Heritage Pass’ (the debut NFT collection) acts as a Mint Pass.

Not only this, but each of the 440 NFT tokens comes with a physical, limited-edition ‘Jilly Bag’ in one of the four heritage prints.

The upcoming second NFT drop by Vera Bradley is named The 1982 Collection and contains 1,982 generated backgrounds, made from 40 archived prints, commemorating the year the brand was founded.

Significantly, 100 per cent of primary net proceeds from the Heritage Pass and second NFT collection, will support The Vera Bradley Foundation for Breast Cancer.

Jennifer Bova, VP of Marketing, Vera Bradley, stated, “This is another experience to strengthen Vera Bradley’s sisterhood, utilising Web3 and fundraising for the Vera Bradley Foundation for Breast Cancer.”

Vera Bradley was founded in 1982 by close friends Barbara Bradley Baekgaard and Patricia R. Miller. The brand has a strong focus on women’s handbags, luggage and fashion accessories.

Arts

https://apparelresources.com/technology-news/retail-tech/vera-bradley-launches-metaverse-debuts-nft-collection/

Interesting NFTs
Traffic
Traffic explores a crossroads between the metaverse & reality through organized chaos. The complexity of this aural / visual landscape demanded over 200 hours of design time between Slimesunday & 3LAU. Every detail of this piece was built from scratch, from the reflective puddled pavement to the stabbing synthesis of the song. We think we'll be spending a lot more time in the metaverse in the future, don't you?
Gen 0 | Double Amethyst
*hissing noises*! I'm Gen 0 | Double Amethyst. All you need to know about me is I hate wet food with a passion. Sometimes I daydream of a life full of chasing red dots, lasagna, and running a podcast. I think you'll love me beclaws I have cattitude.
#97242
By OthersideDeployer
Pending Gerbil #10/23
The #PendingGerbil drew his breath nervously. Fail Dropped Dropped and Replaced There were nothing in this world he feared more. He looked at the chords that crossed the abyss in front of him. They were loaded with pending gerbils, clinging for their life. No open space to be seen. The world machine creaked under the load. As the wheel turned and settled on a new block with a load bang, the chords vibrated, and short shrieks were heard as tired paws lost their grip and the gerbils fell into oblivion. #PendingGerbil closed his eyes, sent a short prayer to @VitalikButerin, and took the leap. Written by: @Werekitty1 Pending Gerbil is a very special collaboration with NonFunGerbils (https://nonfungerbils.com/pendinggerbil)
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.