21/10/2022 Warner Bros.’ Lord of the Rings NFT ‘experience’ is just The Fellowship in 4K

A bearded old man with a shock of luxurious, silvery hair that matches the length of his beard. Ian McKellen as GandalfImage: Warner Bros.none

For reasons that onlyWarner Bros. Discoverycan truly know, the multimedia entertainment giant has partnered with Web3 firm Eluvio to releaseThe Lord of the Rings: The Fellowship of the Ringin its entirety as a set of NFTs meant to kick off the “WB Movieverse,” an endeavor that makes less sense the more you hear about it.

Today, Warner Bros. announced the impending arrival of “The Lord of the Rings: The Fellowship of the Ring(Extended Version) Web3 Movie Experience,” a cumbersomely named rerelease of Peter Jackson’s 2001 film that will live on Eluvio’s branded Content Blockchain. In a press release about their partnership, Eluvio CEO Michelle Munson sang Warner Bros.’ praises forits commitment to NFT projectsand said that their partnership is poised to help bring films-as-NFTs to an even bigger audience of consumers.

“Fans ofThe Lord of the Ringscan now acquire, participate, and trade in an epic living media experience that will undoubtedly surprise and delight them,” said Munson. “It’s truly designed for a mass consumer audience, not just Web3 enthusiasts, which is why it should, and does, feel so remarkable and engaging.”

You can already buy and permanently own physical copies ofThe Fellowship of the Ringand all of Warner Bros.Lord of the Ringsfilms in 4K. But the studio’s banking on a handful of NFT-related features being enough to convince people to buy either the “Mystery” or “Epic” editions of the movie as their first step toward becoming embedded in WB’s Movieverse.

Along with a digital copy ofThe Fellowship of the Ring, the $30 Mystery Edition comes with one of three interactive navigation menus modeled after The Shire, Rivendell, or the Mines of Moria, as well as a selection of image galleries related to that location, eight hours of special features, and a number of “hidden AR collectibles.” The $100 Epic Edition comes with access to menus and pictures from all three locations, as well as an assortment of other pictures not found on the cheaper option. Users will also be able to view their AR collectibles on their phones after discovering them sprinkled throughout the movie NFT, which will only be viewable in a browser.

According to an Eluvio spokesperson, Warner Bros. plans to release more of its films as NFTs like this in the future, and one potential use case for the Movieverse going forward could be to act as a marketplace for users to buy and sell these asset bundles amongst themselves. Eluvio also said that Warner Bros. could consider minting each individual asset (like a single, specific picture) included in the movie NFTs in order for them to one day be sold independently of the larger bundle.

Unsurprisingly, none of that functionality’s going to be part of WB’s Movieverse at launch. And it feels safe to question whether it ever will because it’s hard to imagine Warner Bros. will really be able to sell people on what sounds very much like a gussied-up, browser-based DVD selection menu masquerading as a collectible item.

The Lord of the Rings: The Fellowship of the Ring(Extended Edition) Digital Movie NFT will beavailable to purchaseon October 21st.

Arts

https://www.theverge.com/2022/10/20/23413237/lord-of-the-rings-movie-nft-wb-movieverse-metaverse

Interesting NFTs
#3401
By OthersideDeployer
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
The Rare Pearl Moon with Motion
Motion Version Part of my moon series. This super rare pearl moon has just washed ashore on a remote tropical island beach, fining one of these rare Jems is like a total worldly treasure! These moons, only fall to earth once in a few million years! When I found this one I felt the luck that is said to come with this pearl moon.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
Snappy w/Serpent Parent
Aloha! I'm Snappy w/Serpent Parent. I believe the world is flat. I once snuggled a dog. I don't like to talk about it. Can't wait to eat cereal with you!