Freddo #58/75

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Freddo By Goldweard
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T(r)opical
Inspired by and for the 2018 North American Bitcoin conference in Miami, Florida. The palm tree that has a cracked open Bitcoin coconut suggests that by traveling you can enjoy this tropical digital fruit. The peacock nesting in the tree has spread its wings to flaunt other integrated crypto logos as well. The famous Miami skyline at the bottom incorporates the coins, as well as the code that is transforming the banking buildings that made it. The origin of that skyline is in the 80's cocaine craze, so it is all incorporated into the story of foundational transformation, linked to a global movement. The file size is suitable for an 8K TV. Mr. Moe Levin, the founder of the conference is a collector a physical print of the work. Explainer video: https://www.youtube.com/watch?v=2J0ZfPCJdxY&feature=emb_title Upload resolution 8000x4000 PX at 300DPI
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Nobody Likes Me - Glitch Original (animated)
Title: Nobody Likes Me - Glitch Original (animated) Artist: iHeart Edition: One of one, unique. Medium: mp4 This unique variation, "Nobody Likes Me - Glitch Original (animated)” is part of an exclusive NFT release on KnowOrigin. in collaboration with Art Rapture. This variation is part of the Genesis NFT Drop of iHeart's iconic work, "Nobody Likes Me." DETAILS: The iconic, "Nobody Likes Me" street art piece by urban legend, iHeart has garnered the hearts, eyes and minds of art fans since 2014. In collaboration with Art Rapture and KnownOrigin., iHeart is dropping his first ever NFT release of several variations of his tour de force image, "Nobody Likes Me." In 2014, this captivating stencil mural, created in Stanley Park, Vancouver, earned iHeart a massive following and ultimately took down the second place price for most popular street art piece in the world (Street Art News article below). To truly understand the scope and reach of this iconic art piece, that symbolizes the impact of social media on our lives every single day, all you need to do is Google, "Nobody Like Me iHeart street art" and see the results. This release of "Nobody Likes Me" NFTs has a variety of 2D still & 2D animated versions ready for collectors to consume all around the world! Happy collecting! iHeart instagram: www.instagram.com/ihatestencils Street Art News article: https://streetartnews.net/2014/12/the-25-most-popular-street-art-pieces.html Huffington Post article: https://www.huffingtonpost.ca/sunny-lenarduzzi/vancouver-street-artist-banksy-iheart_b_4953880.html #loveyourcollection #evolveyourcollection
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The dirty cape
Personal project
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Alien
There are infinite worlds in the Universe with infinite sentient beings inhabiting them. Master autonomously updates once a day at 12am with one of 366 original artworks, showcasing some of the rarest beings, their cities, transport, technology and nature.
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Right Place & Right Time (bitcoin hourly price offset)
Each day, a new composition for the Master is generated autonomously using a data feed of Bitcoin's last 24 hours of price action. Each hour's price programmatically controls rotation, scale, and position of a correlating layer. Astute viewers will surmise the day's price volatility simply by examining the artwork. While the daily image generation is the result of autonomous API calls, utilizing an algorithm the artist wrote, the artist has chosen to retain a control token. This token allows him to fine-tune variables associated with his algorithm, in addition to addressing aesthetic concerns within the life-cycle of the artwork. Layer state, alpha, hue, saturation, and brightness are elements the artist has retained control of in order that this artwork remain a living work-in-progress. An earlier iteration of this artwork was featured as a nightly projection mapping video on the face of the Daniels Fisher Clocktower, as part of ETH Denver 2020. Access to this and additional exclusive content awaits the master token owner at the artist's NFT Portal: https://collect.mattkane.com/minted-works/right-place-right-time-bitcoin-hourly-price-offset/
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缥缈之美的过去与现在(Vanitas Then and Now)
虚空派的画像。在这个虚拟时代,外在之美到底是否还受到时间的限制?(Vanitas portrait of a woman. Is beauty finite or not in the Virtual age?)