Green Parrot Island #77/777

87 Views
This painting was first published as the cover of the 2013 Yes box set 'The Studio Years 1969-1987''The subject of the painting is the rock formation in the distance. There were a couple of paintings that were just details from this formation, made in fact, before I had conceived of the complete structure. At the time of making them, I was fiercely curious of what lay just to the left or just to the right of the paintings, clearly they were part of a bigger structure and in fact part of a world where these structures were a given.' - RD
0.0
TOTAL SCORE
General
Website: Visit
Markets
Financial
Initial Price : 333.00 USD
Lots to sell: 1
Lots sold: 1
Seller
NFT List
Other Interesting NFTs
Sold
No Favour (cold) #5/25
No Favour for you. Cold variation.
Sold
Best-case Scenario #10/25
Only the best
Sold
Really Remote Working Part 1
Created during the lockdown period whilst being confined to the same place every day, this piece is part of a series of imaginary places that I dreamed of being able to work from.
Sold
Gangnam Wanted Poster #5/25
3L-84574RD, One of the most dangerous robot in Cryptovoxel, last seen in Gangnam near the Rose Nexus. Reward 99000credits battery full or empty. Help us find him, share this!
Sold
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
Sold
缥缈之美的过去与现在(Vanitas Then and Now)
虚空派的画像。在这个虚拟时代,外在之美到底是否还受到时间的限制?(Vanitas portrait of a woman. Is beauty finite or not in the Virtual age?)