Inland Sea II #212/267

85 Views
This painting was started in 1987 after one of many visits to the deserts of the American South West but it was not finished until 2017 just in time for the cover of the Yes 50th anniversary tour. "There is often an amazing clarity, to the desert sky in the winter but in this painting I wanted to introduce just a minimal amount of Arial perspective just a tiny amount of dust or moisture in the air so that the rocks would jump out of the background, just enough to look three dimensional. The title comes from the fact that these deserts were Sea beds maybe up to eight times in their history. - RD
0.0
TOTAL SCORE
General
Website: Visit
Markets
Financial
Initial Price : 999.00 USD
Lots to sell: 1
Lots sold: 1
NFT List
Other Interesting NFTs
Sold
Cyber Vibes
More futuristic space shit. A recursive partitioning algorithm with a twist. Adjust the parameters by taking control of the layers.
Sold
Little Alien, multicolor edition #25/25
I'm an alien, I'm a little alien, Someone's kitty from other world.
Sold
Gangnam Wanted Poster #5/25
3L-84574RD, One of the most dangerous robot in Cryptovoxel, last seen in Gangnam near the Rose Nexus. Reward 99000credits battery full or empty. Help us find him, share this!
Sold
No Favour (cold) #25/25
No Favour for you. Cold variation
Sold
Ocular Enhancement
"Future bio engineering will happen... it’s only a matter of time." Digital Art from Lestron 1/1, Single Edition TOOLS USED: Cinema 4D, Octane Render, After Effects ORIGINAL RESOLUTION: 1080x1350 FILE SIZE: 22,165,067 bytes
Sold
Genesis
José Delbo sent me his striking pencil sketch and powerful inked work, which I then interpreted in oil on canvas. I wanted to create a very painterly piece with obvious brush marks etc, but I was also aiming for a nostalgic feel, a kind of 1980’s superhero comic book look, the kind I grew up with. My goal with this animation was to try to recreate, in part, the creative process that both artists went through with the visual information I had. I was able to showcase my painting process more accurately as I could take photographs of my progress throughout. Consecutive images could then be layered like brush strokes over José’s drawing to create the impression that this was one continuous artwork from pencil, to ink, to completed painting. The representation of the line sketch at the beginning, then pencil/ink and lastly the paint layers being applied demonstrate both artists’ struggle for the right lines, tone, form, and colour until the work is finally completed. As the oil was still wet with each photograph the glare of my studio lights can be seen in the brush strokes. Eventually, the figure emerges and as it does, our hero comes to life, looking directly at the viewer -- but is he grimacing in approval or disgust? We will never know for sure as just before he can say anything, white paint is brushed across the canvas entirely and the process begins again. Only the bat is quick enough to escape.