The Boy in Bed

Trading
58 Views
You are not alone, little boy.
Everyone is prone to some kind of darkness,
Treating it like a childhood friend:
"How could it possibly betray us?"

We share similar stories of descent,
Enjoying the illusions we made to cope,
Distracting ourselves from the moments
Of great awareness—we're running out of hope.

We are being swallowed, one by one,
And I beg the heavens to bring those illusions back.
Our last stars are gravitating away,
Leaving our psyche under attack.

So please stay awake a little longer, young knight.
There are familiar creatures creeping in.
They all want your soul in aimless saunter,
Like the fish that Jonah lived in.

Look up and let's befriend Midnight herself,
That perhaps she will calm us down.
Don't make the same mistake I did,
For I was deceived by a demon with a crown.

Who would have ever thought that
Our bedrooms could be a warzone?
We are lost children of Ares,
And our worn-out bed, our throne.

Just a little more courage, young prince.
Take on shapes like thick smoke,
For in your sanctuary of a bedroom,
The envious monsters outside, you might provoke.

You're shielded and barriered yet vulnerable.
You have refuge but not enough strength to fight,
For you were tricked into thinking you're weak,
By your bad dreams, night after night.

See, open your eyes, dear one.
Remember, you are not alone
In this doomsday-like period
Of isolation that no one could have known.
6.0
TOTAL SCORE
General
Website: Visit
NFT Time: 26 Feb 2021 - TBA
Dates: Start: 26 Feb 2021
Markets
Financial
Initial Price : 6,482.80 USD
Lots to sell: 1
Lots sold: 1
NFT List
Other Interesting NFTs
Sold
CryptoPunk 9998
One of 3840 Female punks.
Sold
Iconic Crypto Queen
(Virtual) blondes have more fun, right? #iconic ICONIC (Adj.): of, relating to, or having the characteristics of an icon. Widely recognized and well-established.
Sold
Enhanced Interrogation
Continuing the exploration of well known algorithms, this work delves into pixel sorting. The works of several cubists were first averaged with custom averaging software and then sorted with a bespoke pixel sorting algorithm. All tools were written in javascript, for masochistic reasons.
Sold
Virtual Skies VIII
Series of minimal landscapes that venture into the virtual abstraction. Honoring the beauty of glitched/pixelated skies.........
Sold
Mannequin #1/5
This is xerox (or copyart) work that was originally on an A3 sheet of paper. Probably from 2009. Now it doesn't exists anymore. So someone can say that's really cryptoart. I don't care about tags and art categories. This is also the original title. From my archive, now tokenized forever in this digital form.
Sold
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?