09/12/2021 NFTs Are the Big Holiday Gift This Year — Whether You Want One or Not

Instead of unwrapping a present, some will be opening up a wallet.

Platy Punks
Source: PlatyPunks.com

This Christmas’s unexpected stocking stuffer might be an NFT.

People who are both new and experienced in the nascent world ofnon-fungible tokens say they’re planning on distributing the digital gifts to friends and family — who might not really know what to do with the presents.

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Abraham Aradillas says he hadn’t heard ofan NFT until about six months ago, after they exploded onto the popular culture mainstream and wereparodied by SNL. But now the 23-year-old truck driverfrom Dallas says he’ll bebuyingPlaty Punks—a popular NFT with the image of a platypus — for allhis friends for Christmas, and he thinks they’ll be excited and confused.

“When I told my friends I bought an NFT, they laughed at me. They’re like ‘You bought a picture of a platypus.’ So I think they’ll have the same reaction,” Aradillas said.

As the prices of Bitcoin and other cryptocurrencies have skyrocketed in the past year, NFTs have been lifted upin the mania. They’vepiquedthe interest of people who started trading and managing their own portfolios during the pandemic, as well as those who finally got a handle on crypto.

Somegift givers say they hope their friends and relatives will learn about NFTs or that the token will be a good investment:Sort of like a lottery scratch-off, the gift could pay off big time. In other cases, the gifts are more akin to collectables,souvenirs or art.

‘Wallet’ and ‘Keys’

For recipients, the gift can feel like a chore. If they are new to crypto, they have to learn terms like “wallet” and “keys,” not to mentionwhat NFT stands for.

Educating family about NFTsis part of Jessica Walker’s motivation for givingthe tokensas gifts this year for Christmas.

“To understand the new technology, you have to be introduced to it on a personal level,” said Walker, 28, who creates educational content forprice-tracking website CoinMarketCap.

Her budget is about one Ethereum, or $4,100 U.S. dollars. Walker’s father and 25-year-old brother are football fans, so she’s eyeing some of the products on Tom Brady’sNFT platform Autograph. For her mom, an avid news follower, she’s looking at an NFT from aline created by the Associated Press.

She thinks her mom, who has her own Coinbase account, will appreciate the gift. Her brother, however, is a different story.“My brother will look at me slightly disappointed that I have not bought him food or alcohol,” Walker said.

Paula Sanguino, 36, a dental hygienist of Raleigh, North Carolina,says her first reaction to being given an NFT was excitement — along with a bunch of questions. She received the web addresspaulas.eth from a friend. It’s a domain name — like .com or .net —but also functions as an NFT as well as a way to send and receive cryptocurrencies.

“‘Thank you! Is this a domain? What do I do with this? Can I sell it later?’”Sanguino recalled saying.“I was very confused by it when he shared it with me.” She said it took her a few weeks to wrap her head around the concept of why something like this would be worth as much money as it was.

OnChain Monkey

Montreal resident Nicolas Hebert is using gifts of NFTs as something of a memorialto afriendwho recently died. Hebert, a 30-year-old commercial manager in the Canadian cannabis industry, and two other pals are giving their friend’s niece and nephew, both under age 12, NFTs in honor of him.“We know this is something he would have done this year,” Hebert said.

The kids will get an OnChain Monkey, which initially cost Hebert about $40 when he helped mint it but is now worth around $2,000 to $2,500, he said. They will also be gettingan NFT called 2 Ballerz, which cost $200 each to mint. There’s no current marketplace for Ballerz.

Rather than buy NFTs to give, some families are creating them.Palo Alto-based angel investor Chris Eberlehelped his 13-year-old son, who wants to be an animator, design one that will go out to family.

Therecipients will learn of their NFTs in an old-school way, through a picturein a card. “There’s more of a payoff when you open a card with a cool picture,”saidEberle,47, who just started his own investment company, Defiant Capital, after serving as director of content and marketing globalization at Netflix.

Gift givers might want to feel out their recipients first to see if the present would be welcome.

Jules, a 16-year-old from Maryland, said he would be disappointed if he got an NFT as a gift, particularly because of theenergy used to create crypto.

“I wouldn’t know what to do with it, to be honest,” said Jules, whose mother asked not to use his last name.“What do you do with it? I think I would just hold ontoit. I think that would be the least harmful thing I would do. It really holds no value to me.”

Arts

https://www.bloomberg.com/news/articles/2021-12-08/nfts-are-the-big-holiday-gift-of-2021-and-they-aren-t-just-for-crypto-lovers

Interesting NFTs
HUMAN ONE
be careful where you step.
Who Is The Creator 2
The idea for this piece was borne out of a tweet of mine that caused a bit of a stir. I’d posted a link to a blog article I’d written a number of months previous titled ‘Who is the Creator’ discussing various types of creative collaborations and why I hire people to work on my animations. It generated a lot of debate around creation and attribution with the community split on whether it’s right or wrong for an artist to hire other professionals to help them realize their art projects. I decided to push the boundaries even further and see how the cryptoart community responded. What if I quite literally had nothing to do with the physical or digital elements of the work other than coming up with the concept and coordinating it? I decided there was one artist in the space who could add huge value to this idea on levels that none other could and so I gathered my courage and contacted the great José Delbo to ask him if he’d be interested in a very unique collaboration. I explained to him that to make this piece ‘work’ he couldn't have any say in what I produced and moreover, he wouldn’t even be allowed to see the animation until it was dropped on MakersPlace. To my surprise, Mr Delbo agreed to my proposal. The animation tells the story of the creative process, which includes my roles as writer, director, and producer working with a team and making edits and changes ‘in real time’. The dialogue between myself and my ‘hired guns’ plays out in front of the viewer. The music written for the piece adds to the nostalgia of the comic book superhero theme but other elements such as the snapping and kicking of the pencil and the signing of my signature at the bottom incorporates further layers and challenges the viewer to ask important questions, such as, is the ‘Art’ the final animation (the creation) or is the ‘Art’ the concept/credit for the creation itself?
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).
缥缈之美的过去与现在(Vanitas Then and Now)
虚空派的画像。在这个虚拟时代,外在之美到底是否还受到时间的限制?(Vanitas portrait of a woman. Is beauty finite or not in the Virtual age?)
Domestic - 2017
“Domestic is the manifestation of the cultural patriarchy in my home. The wooden "woman's" tragedy of false desire. It was done in a moment of breakup. The hollow 3d body & its lost eyes, invites you to fill up. Trying to reach out, encumbered and wrapped in its own fragility, the new mother rises."