21/06/2022 NFT Art 101 Conference discusses copyright issues

Even though NFTs are going through a maturing period, experts say they still offer great potential for the art industry in the future.

20220619000266_0.jpeg

Some 500 audience members attend the NFT Art 101 Conference on Friday at Seoul Dragon City Hotel in Yongsan-gu, Seoul. (ArtToken)

June 20, 2022

SEOUL– It is a tough time for blockchain technologies like nonfungible tokens, as the volatile cryptocurrency market has upended the outlook for NFT art, which has enjoyed explosive growth in recent years. However, even though NFTs are going through a maturing period, experts say they still offer great potential for the art industry in the future.

NFT is a financial security consisting of digital data stored in a blockchain. Each NFT is unique and acts as a digital certificate attesting to a work’s authenticity and is used to represent an item such as an artwork. Most NFTs are part of the ethereum blockchain.

“There have been many cases of forgery inflicted on the Korean art world, including Chun Kyung-ja’s paintings at Seoul Museum of Art and Rhee Seund-ja’s painting at Seoul National Museum of Modern and Contemporary Art, Korea. NFTs can be a helpful tool for museums when verifying the authenticity of work,” Kim Ji-eun, a lawyer at Seoul Museum of Art, said at the NFT Art 101 Conference held on Friday at Seoul Dragon City Hotel in Yongsan-gu, Seoul.

South Korea is not the only place hit by forgery claims, Kim said, referencing the case involving paintings claimed to be by Jean-Michel Basquiat shown at the Orlando Museum of Art that is currently under investigation by the FBI. Even though galleries, artists and appraisers issue authenticity warranties, skepticism remains, Kim said.

“NFTs can be a means to guarantee the authenticity of art with information on when it was produced and who previously owned the piece, as long as the physical works are traded with the NFT version,” the lawyer said.

Hosted by ArtToken, a Seoul-based digital art platform, and Soongsil University, the NFT Art 101 Conference was attended by around 500 people looking to learn about the latest developments in the world of NFTs. The first edition of the conference consisted of five sessions: the NFT art market’s future, NFT art and artists, minting NFTs, NFT and DAO technology and NFT Art and Law.

“There are many NFT artworks that infringe on copyright law. Some people mint NFTs just because they own the work. But there is a difference between copyright and ownership,” said lawyer Shim Sung-woo. “There was a case in China in which an NFT art platform operator admitted to aiding and abetting in infringing copyright.”

Hong Ji-suk, CEO of ArtToken, said the relationship between NFTs and copyright law will develop over time. She has promised to host NFT art conferences more regularly to educate people and share knowledge about NFT art.

“We were unable to host financial authorities and to hear the stance of the government regarding NFT art and the crypto market, but we will keep reaching out to officials to join future conferences,” she said.

Arts

https://asianews.network/nft-art-101-conference-discusses-copyright-issues/

Interesting NFTs
Hairy
hairy by Steve Aoki x Antoni Tudisco. Comes with Infinite Objects screen!
#60649
By OthersideDeployer
Beautiful Worlds
Welcome to the ‘Beautiful worlds’ where nature and technology have merged into a single entity. These are Ai generated and hand finished visions of solarpunk future in which I would really like our future generations to live and prosper: the future we might have if we took the very “alternative route” which now lies before us: replacing states and corporations which free federations of communities and cooperatives, using decentralist and ecological technologies to create a world beyond economic scarcity and social hierarchy, defined by autonomy, mutual aid, diversity, and inclusiveness. The long-term goals of solarpunk are freedom and well-being for all by adopting and developing such ecological technologies as: solar, wind, wave and geothermal energy rather than oil or gas to generate electricity; a world of decentralized eco-cities, permaculture and vertical farming, free and open-source software, open-source hardware, small-scale fabrication laboratories, micro-manufacturing, 3D-printing, and countless examples of commons-based peer-production online: meeting the maximum amount of needs, in the shortest time, using the minimum possible amount of energy. It’s a world of decentralized and confederated eco-communities, using technology for human-centric and eco-centric ends rather than for accumulating power and profit – mending the metabolic rift between first nature (the natural world) and second nature (human culture) – and where social hierarchies of race, gender, sexuality, and disability are considered horror stories from the past “oil age”. Solarpunk desires societies of polycultural ethnic diversity and gender liberation, where each person is able to actualize themselves in societal environment of free experimentation and communal caring; This philosophy proposes that in order for the social and natural worlds to reconcile, humans must first transform their relations to each other – recreating society along egalitarian, cooperative, and democratic lines – and then transform their relations towards nature – adopting an attitude to cooperation, rather than domination, towards the planet and its nonhuman forms of life. Text by Connor Owens. This artwork took me a year to create and for you it will take a year to discover. Master autonomously updates once a day at 12am with one of 366 original artworks. Enjoy!
#92379
By OthersideDeployer
Gangnam Wanted Poster #5/25
3L-84574RD, One of the most dangerous robot in Cryptovoxel, last seen in Gangnam near the Rose Nexus. Reward 99000credits battery full or empty. Help us find him, share this!