14/07/2021 NFTs In Music: Watch The Most Recent Pro>Sessions Installment To Learn About How You Can Use Your Art To Digitally Capitalize

The Recording Academy's Pro>Sessions takes a deep dive into the impact of NFTs on the music industry and how independent creators can leverage this technology to generate revenue in its latest installment
GRAMMYS
 
 
 
 
 

 JUL 12, 2021 - 4:05 PM 

Last week, the Recording Academy shared its sixth installment of Pro>Sessions, a professional development series that focuses on driving revenue in today's digital economy. The episode explored NFTs, arguably the most talked-about digital trend on the market right now, and what opportunities for profit exist in the music landscape. What's an NFT? NFT stands for non-fungible token and these tokens are unique, one-of-a-kind digital files of items like drawings and music. The bulk of NFTs are part of the cryptocurrency Ethereum blockchain, and musicians such as 3LAU and Grimes are raking in hundreds of thousands, if not millions of dollars from the tokenized release of some of their original creations.  

The Recording Academy's Chief Marketing and Innovation Officer Lisa Farris sat down with musician and producer André Anjos, better known as RAC, and recording artist Ryan Paul, aka Wax//Wane, to discuss their experience and current involvement in the digital movement.  

During their conversation, Paul noted his interest in getting in on the trend: "The thing that really caught my excitement with NFTs wasn’t just tokenizing things like music, it was trying to capture that feeling of first opening a pack of magic cards when I was a kid, that thing of trying to collect all of these things and providing a prize for those who jumped in on this journey with us."

 

Pro>Sessions VI: NFTs In Music

NFTs are certainly providing a new avenue for fans to financially support the artists they love, and in turn, receive a digitized rarity. It has also created an unconventional revenue pipeline for musicians. The tricky part is pricing and connecting with potential buyers, and that’s where marketplaces like OneOf and Nifty Gateway have stepped in.  

"Definitely lean into the platforms as a resource for pricing, they know the market pretty well and they will be able to at least give you an estimate or an approximation," Anjos said. "There is a lot of work going into working with collectors. It is really important to establish relationships with your collectors and foster that and they'll give you feedback on pricing too. Get a lot of feedback."

prosessions-planning-your-nft-drop.jpeg

GRAMMYs(opens in a new tabTO EXPAND(OPENS IN A NEW TADuring the second half of the program, Farris continued this compelling discussion from the business perspective with Adam Fell of Quincy Jones Productions, NFT attorney Jacob Martin, and OneOf exec, Joshua James. OneOf

(opens in a new tab) During the second half of the program, Farris continued this compelling discussion from the business perspective with Adam Fell of Quincy Jones Productions, NFT attorney Jacob Martin, and OneOf exec, Joshua James. OneOf

(opens in a new tab) is a green NFT platform built specifically for the music vertical.

James shared his passion for the new revenue source: "We are excited that if you are a new artist, and you want to sell $1 NFTs to your first 1,000 fans on Instagram, you can do that. And now three years later when you win a GRAMMY, that $1 NFT is essentially the rookie card and since we can protect the resale royalty, as that NFT trades in value over time, the artist essentially is making money at every transaction along the way."

Check out the full program above to learn more about the role of publishing in NFTs, smart contracts, the future of blockchains, resale values and royalty protections, and the potential pitfalls of selling music via NFTs. 

 

Arts

https://www.grammy.com/grammys/news/nfts-music-watch-most-recent-prosessions-installment-learn-about-how-you-can-use-your

Interesting NFTs
The Harvest
An anthropomorphic figure stands, wide eyed, staring at the viewer; its body masculine, muscular, and humanoid. Its “mind” dissociates into a conglomerate of structures resembling feathers, grain, teeth–as well as a radial flower “node”, casting linear rays throughout the composition. To his left, a vat of bodies gesture and writhe in a kind of amniotic soup, attended by a video game robot. The bot's red display reads “uWu”. Behind the robot and filling the left side of the composition is an archaic figure composed of a variety of vintage objects and symbols. Among them are a hardbound book with ancient cuneiform scripts, indicating barley, beer, bread, ox, house, and sky, behind which is a grimacing, salivating jagged toothed maw; and an old Commodore floppy drive. The figure’s head tilts toward an illuminated crescent moon, suggesting the Egyptian Sacred Bull. The archaic figure is composed of a variety of mutating cells, which shift in color, and pattern; eventually breaking free into an ephemeral broadcast of bubbles which move across the background. The work came into being against a psychological introspection, which included associations to pop culture such as alien abduction and pod people, as well as quite a bit of reflection on grains as a symbol of civilization, agriculture, sustenance, life, and imbibing (mainly whiskies).
Domestic - 2017
“Domestic is the manifestation of the cultural patriarchy in my home. The wooden "woman's" tragedy of false desire. It was done in a moment of breakup. The hollow 3d body & its lost eyes, invites you to fill up. Trying to reach out, encumbered and wrapped in its own fragility, the new mother rises."
CryptoKitties
Good morning! I'm Kitty #433518. I've never told anyone this, but I once groomed a dog. I'm often described as annoying, and I own it. This will be an amewsing friendship.
Like a Human 1 #3/3
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By OthersideDeployer