22/07/2021 NFT Art Marketplace Sets New Records

A non-fungible token (NFT) artwork sold for nearly $1 million in just under a minute, setting a new record for the fastest selling NFT. Meanwhile another artwork set a record for the largest amount raised for charity by a NFT.

'On the Wings of an Angel' by Sacha Jafri was made into an open edition NFT and auctioned at amfAR's annual Cannes Gala on Friday 16 July. 

In 45 seconds, 1,500 open editions of the painting were bought for €750,000 ($884,760) by U.K. tech entrepreneur Scott Fletcher with the entire amount destined for amfAR's AIDS research programs. 

In total, amfAR raised more than $11 million at its scaled back Cannes Gala. As well as wealthy bidders, scores of celebrities such as Spike Lee, Orlando Bloom and Alicia Keys watched the auction. 

'On the Wings of an Angel' was inspired by Jafri's travels to refugee camps around the world. The physical painting was sold previously for an undisclosed price to an unnamed buyer. The open edition NFTs are digital reproductions of the artwork and sold via NFT platform Infinity8. 

It is Jafri's first ever NFT. The painter already holds a Guinness World Record for creating the largest canvas painting 'Journey of Humanity' which sold at a charity auction in March for $62 million making it the fourth highest price paid for an artwork by a living artist. 

Having realized the power of NFTs to raise money for charity, Jafri is planning several more. "I've got an opportunity to create some meaningful things and raise a huge amount of money for charitable concerns around the world," he says. 

An online auction of further editions of the same painting will start today (Thursday 22 July) with Infinity8. The price of each edition increases from €635.30 ($747.84) until the close of the sale on Monday 27 July. All proceeds will go to amfAR. 

Jafri will then release 99 ‘crypto angels,' a series of NFTs, each for a different charity. They are his version of a 'cryptopunk,' and a way to tap into the wallets of the new generation of billionaires who owe their wealth to cryptocurrencies. 

"These billionaires, they're doing nothing charitable, they know nothing about the value of money," says Jafri. "They're spending all this money on cryptopunks and all this crap just so they can show off to their friends and say, 'Hey look what I've got, look what I own.'

"There's an opportunity for an NFT to take some of those funds and distribute them to charitable causes."

Jafri was encouraged to create his first NFT by Javed Fiyaz, founder of Infinity8, the first NFT platform to facilitate NFT auctions for charity. 

"If you just sell artwork in order to do something good for charity only the rich and wealthy can afford to partake," says Fiyaz, who invested in cryptocurrencies after making money in shipping and real estate. "In something like this it becomes available to anyone with $1,000 to become part of a big project to help humanity."

The Most Expensive NFT Sells For Charity

'On the Wings of an Angel' might have been the fastest, but it was not the most expensive NFT charity auction.

On the same day as the amfAR Cannes Gala, Chinese artist Cai Guo-Qiang sold his first NFT artwork for $2.5 million, a record for a non-digital artist, and the highest ever paid for an NFT at a charity auction. 

The proceeds from the sale of Cai's 'Transient Eternity-101 Ignitions of Gunpowder Paintings,' will go to the Shanghai Bund Art Museum and the New York Cai Foundation which encourages young Chinese artists to study in the U.S. 

Hosted by TR Lab, the NFT is a video of 100 explosions where Cai has used gunpowder to create one artwork out of others. In opening the auction, Cai asked, "Is it possible to create an art project with a more forward-looking vision, and with more compelling forms and concepts, by leveraging the core values unique to NFT technology?"

Charities, on the other hand, will be asking whether NFTs can be a new source of fundraising from wealthy donors. The nonprofit world has rushed to adopt cryptocurrency payments following ethereum co-founder Vitalik Buterin's $1 billion crypto donation to the India Covid Relief Fund. 

Now NFTs have the potential to both raise millions and create a new generation of philanthropists who see things differently from their forebears. 

"The days of Bill Gates and Richard Branson and philanthropists like those guys: Those boys are gone and we're now dealing with this new generation who don't understand charity in the same way," says Jafri.

Arts

https://www.forbes.com/sites/oliverwilliams1/2021/07/22/nft-art-marketplace-sets-new-records/?sh=557074a9669b

Interesting NFTs
#28372
By OthersideDeployer
Fuku-Shiva
The term “Fuku” refers to fortune or good luck. “Shiva” refers to the Hindu deity who represents strongly polar qualities, both severe and delicate. On a beach inspired by adventures on Phi Phi island in Thailand, three youths cavort. Two are representational figures and the third is psychologically rendered. A dynamic relationship ensues between the triad; a reciprocity of active and passive states. The boy on the right engages in maneuvers of evasion, defense, and is dressed in a speedo which reiterates the colors and symbolism of the caution tape on the left and upper right frame of the composition. In concurrent reaction the psychedelic figure shoots out a rocket powered paper airplane. The nude boy seated in the froth and sand approaches in passive repose, and is met with active attention but equal physical reserve by the psychedelic being. Perhaps the most naked figure is also the least representational. Looming large, dynamic, and active, it engages its companions playfully. Various symbols interject into the otherwise naturalistic scene, most notably a beach ball and two contaminated barrels nested in the sand. The upright barrel reads “FukuShima” in Kanji. The barrel laying down reads “Dharma”. To the left the scene is bounded by caution tape, reiterating the danger of the nuclear waste while also hosting alien archetypes, whose presence, as is the nature of these entities, runs up and just behind the consciousness of the psychedelic figure’s eggshell-like skull.
RARE BIRD! Fancy!
Shalom! I'm RARE BIRD! Fancy!. In high school, I was voted school jock. Some people say I'm the Samwise Gamgee of the group. Can't wait to eat ice cream with you!
LADY MAGDALA’S LOVER
Mystery lover like no other.
Alex in Wonderland
A figure, Alex, stands mostly naked in the midst of a physical and psychological maelstrom. He is clad only in nostalgic 80’s era socks, on a tenuous island between active waters and a variety of shark denizens. Sharks on the right side of the image are all beached, including a shark with a quartz crystal snout, an orange shark wrapped in a life buoy, and a shark further in the distance wearing an 80’s style shirt with the number “88”. On the left side is the largest shark, wearing bright glossy red lipstick and brandishing prominent teeth with braces. She is cordoned off from the figure by a roped float divider, and within her thought bubble is a warning symbol. Behind the figure, hovering in the air, are Grey aliens emerging from the distance, out of a series of elliptical UFO shaped interdimensional membranes. The Greys take on the visual form of spermazoa ostensibly impregnating the interdimensional thresholds. As is typical, these Greys inhabit a zone just behind the unconscious topology of Alex’s dissociative mind. Though Alex’s bottom half is representative, his top half mutates into a psychological cornucopia. In a manner akin to “Auto-Erotic Sphinx”, a predecessor work, the figure has self suctioned—an act of sensual infatuation, enjoyment, and exploration. Upward exists the figure’s primary conscious eye, adorned with a revolutionary beret emblazoned with a Bitcoin badge. The figure’s summit features the nose of a fighter jet facing off against video game Bullet Bills, one of whom is marked by a communist North Korean star. A cropped section of a UFO observes the contest. Alex’s mind branches both left and right. To the left is more singular embodied consciousness, manifesting two eyes and a Ganesh trunk grasping crayons. The right branch dissociates upward diagonally, emerging into an array of eyes, faces, teeth, tail, a unicorn horn, and much more—all of which participate in expressing his unconscious being; a democracy of psychic factions representing thought impressions and associations. All illumination and darkness– fernal, infernal, high consciousness and corporeal underbelly–reside in this realm. In the distance are relatively languid, light clouds, and against the firmament hovers a colossal distant eye peering over the scene and far beyond. This painting possesses underlying genetic traits with previous works such as “Auto-Erotic Sphinx with Toys”, “Dionysus”, and “Fuku-Shiva”. The work serves also as a nod to an earlier period of art inspiration during late teens and early twenties— born out of the nakedness, vulnerability, curiosity, and wonder inherent to coming of age and all subsequent psychedelic revelation.